Word: played
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Dates: during 1970-1979
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...play's narrator and the images materialize from his harrowing memories. He is Tennessee Williams--ne Thomas Lanier--in the shadow of the footlights. Williams had a long-distance father, moved from the deep South to St. Louis and spent three miserable years in a shoe warehouse, presumably writing poems on shoe boxes--just like his character Tom. But Tom is more than the stage presence of the author. He is a voice, a specter in his own dreams, giving "reality in the form of illusion" but always running to the illusionary happiness of movies and liquor until he breaks...
Laura loses her horn when Jim, a friend of Tom's conquers her shyness by whirling her on the dance floor and warming her to a slow kiss. Jim's visit is the play's climax, the culmination of a search for a "gentleman caller" for Laura, a visitor from the outside who might show her another--married--life. And to Amanda, he is a mythically important guest, for he reflects the ultimate in preparing for the future, just as she once planned for the future by entertaining 17 gentleman callers in one afternoon. Like Amanda, who chose wrong from...
...would have been a nice touch. The lighting was properly dim, but the frequent blackouts for scene changes were too stark, too sudden, t.v.-like, often disturbing the sense of a flow of dream images. Finally, Williams' script calls for fiddle music at the beginning and end of the play, framing it in a Southern, story-telling manner but also providing an old-fashioned whine, a tug into the heart of this play and a sorrowful serenade at the finish. There is sometimes a brusqueness to this production that contrasts with the warmth and intimacy of the play...
...floor would fill the school's crying need for more basketball courts," he said, adding "Harvard has no courts where people can go and just play a quick pick-up game...
...trip to stardom began, though he did not know it at the time, about two years ago, when Kramer vs. Kramer scouts started looking at nonprofessionals to play the role of Billy, who is really the film's central character. They went to Justin's school in Rye, a suburb of New York City, to look around, and that night his principal called to say they wanted him to audition in Manhattan. "I wasn't so excited," he says, "but I went anyway. There were 200 of us in the first tryout. Mr. Benton called each...