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This inspiration is evidenced in the rich costumes of the play, which draw upon the uniforms of various revolutions across history. Despite a bare-bones approach in scenic design, lighting and stage effects will also play a dramatic role in bringing the feel of the revolution to the theater...
...Danton’s Death” follows the life of Georges Danton, a prominent figure in the Revolutionary Government after the French Revolution. In the play, Danton is charged with the creation of the Revolutionary Tribunal, which doles out justice in whatever way it sees fit—largely without trials, evidence, or witnesses...
Although the play is originally set in the terrifying world of the French Revolution, Leaf wishes to bring it out of its 19th-century French mold and create a more universally applicable rendition. “The play is not set in the past,” Elizabeth G. Shields ’10, one of the play’s executive producers, says...
Leaf agrees, “We’re trying to evoke the world of revolution and the idea of revolution as a whole, not summarize it as it relates to the French Revolution.” Shields adds, “The richness of the play is apparent, but we’re trying to make it less esoteric. We’re trying to bring out the fervor and passion of the Revolution...
...Broadway musical making its New England premiere at SpeakEasy Stage Company, where it will run through April 10. Unfortunately, the musical fails to deliver any illuminating observations on either numbers or life’s mysteries. An adaptation of Elmer Rice’s 1923 expressionist play of the same title, “Adding Machine” tells the story of Mr. Zero, a downtrodden worker whose life suddenly collapses. What follows is a visually bizarre, musically unpleasant, and theatrically uninspiring slog through various 20th century intellectual trends, a trek made only slightly palatable by an innovative...