Word: playful
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...fourth quarter, Vaughan found the back of the net twice for his second and third goals to give Harvard a four-point lead—its biggest of the game—with 3:44 left to play...
With its spirits and character transformations, giants and magic beans, it would be an understatement to call “Into the Woods” a technically complicated play. Despite being interrupted with a few sound-system hiccups, this production’s technical realization of the show is subtle, but deliberate and creative. From the booming voice of the giantess to the smoke that appears alongside the spells of the Witch, the production effectively establishes the magical world of the woods without distracting from the vocal work and acting of the remarkable cast...
...impressively, there is not a single weak link in this production. Samuel R. Schoenberg ’13 and Christine K. L. Bendorf ’10 are paired well as the Baker and his Wife, and the subtle evolution of their relationship over the course of the play forms a solid center for the many intertwining stories. A Sondheim veteran, Bendorf (who also acted as Johanna in 2008’s Mainstage production of Sondheim’s “Sweeney Todd”) creates a character that is equal parts practical and provocative. While maintaining her character?...
Some of the show’s most humorous moments reside with the antics of Gus T. Hickey ’11 and Elliott J. Rosenbaum ’12, who play the two charming but philandering princes. As a duo, they are masters of comic timing and innuendo. Hickey also takes on the role of the Wolf, who pursues Little Red Riding Hood with a relish that echoes the hunt the princes engage in as they chase after Cinderella and Rapunzel...
...pass around a blank sheet of manuscript paper folded like a fan, each one writing a line of music without being able to read any more than the musical notes directly preceding it. After each composer has contributed to the work, someone will sit down at a piano and play whatever surprising creation the group has devised...