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Word: playfulness (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...cinematically difficult music had been recorded around it. The poetry, of course, is in the music rather than the anecdote. This poetry is lost, but the silent Meistersinger moves with a light-footedness impossible in grand opera. Clearly these capable German actors like their. material and understand it. They play the old roles slyly, fast and broadly -the whimsical Hans Sachs, the vicious Beckmesser, the hesitating Pogner. Good shots: the fracas outside Hans Sachs' shop; Beckmesser appearing before the Grand Council without his toupee...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 30, 1929 | 12/30/1929 | See Source »

Shrewd rather than witty, this comedy of marriage succeeds in being entertaining because Edwin Burke, from whose play it was adapted, sensibly avoided the deeper implications of his subject. The idea of it is that married people get along better if they are not in love with each other. A girl who has seen her sister become possessive, jealous, dissatisfied because she was in love with her husband, makes a business deal with a gentleman, stipulating that she is to run his home and live with him at a salary of $25,000 and all expenses paid. The reversal, created...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 30, 1929 | 12/30/1929 | See Source »

...great poet Johann Christoph Friedrich von Schiller conceived the character of Luisa Miller, made her the unhappy heroine of his play Kabale und Liebe. Italian Poet Salvatore Cammarano fashioned the opera libretto from the Schiller piece, aptly labeled the acts Love, Intrigue, Poison. The scene is in the Tyrol. Luisa, a beautiful peasant, loves Rodolfo who turns out to be the son of the village's haughty overlord. He would forbid their marriage, arrest Luisa and her doting father. But Rodolfo, Hamletwise, knows of the murder which won his father his titles and his wealth, threatens him with exposure...

Author: /time Magazine | Title: Music: Luisa Miller | 12/30/1929 | See Source »

When Iturbi finished his program no one left Carnegie Hall. Many rushed forward to watch his square fingers more closely, called for encore after encore. He will play once more in Manhattan, then go westward again. Now that he is a success there will accompany him the kind of press stories the public most eagerly devours. Many will be interested to know now that he likes apples, oysters, caviar, expensive cigars; that he plays good tennis, boxes, dances, does subtle imitations of Charlie Chaplin, Lon Chaney, Pianists Wanda Landowska and George Gershwin; that O'Rossen of Paris makes...

Author: /time Magazine | Title: Music: Iturbi | 12/30/1929 | See Source »

...herself the mother of two Pomfret boys. William and Frederick. When a boy slouched round-shouldered out of the dining room. Mr. O's eye was upon him and that boy was sent to get more exercise, more fresh air. Except for a real excuse, every boy had to play football and Mr. O went to the field every day to watch one and all, issue brusque suggestions, take mental notes to pass on to parents...

Author: /time Magazine | Title: Education: Mr. O | 12/23/1929 | See Source »

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