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Word: playfulness (lookup in dictionary) (lookup stats)
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...didn’t approach [the series] any differently than we did during the regular season,” he said. “We saw it as a second opportunity to show how we can play as a team...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Junior's Efforts Come Up Huge | 3/9/2010 | See Source »

...Bertolt Brecht and Steve Jobs collaborated on a play about economic downturn, the end result might look something like the lifeless, sluggish production of Clifford Odets’s “Paradise Lost” currently running at the American Repertory Theater (A.R.T.). Brecht would insist on calling attention to the show’s own theatricality, thereby distancing the audience and forcing them to separate their emotions from the action onstage in order to realize an important truth. Meanwhile, Jobs would persistently add more and more technology to the play, to no rational end. This is the feel...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

Smith’s one scene as crooked Mr. May is the only instance of a rewarding use of video in the play. Finally, the video’s detached feel makes thematic sense when projecting May’s image—in negative—as he speaks. His black-and-white face effectively reflects both Smith’s doubled role and May’s unfeeling nature...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: A.R.T.’s ‘Paradise’ Feels More Like Hell | 3/9/2010 | See Source »

...tutor Walter (Noah J. Madoff ’12). “No,” he replies, “No, I don’t.” Walter’s acceptance of the melodramatic could be a motto for this production of the play, which emphasizes the satirical, over-the-top aspects of Peter Shaffer’s script while still finding room for more philosophical segments...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

Shaffer’s body of work is an idiosyncratic mix of gloomy, meditative dramas and satirical comedies. “Five Finger Exercise,” which runs in the Loeb Experimental Theater through March 12, is the play that garnered him his first public acclaim in 1958, and it can’t seem to decide which side of that genre line it falls on. Despite a few missed notes, the cast very nearly reconciles these two disparate halves into a cohesive whole that entertains while confronting serious questions of family, responsibility, and class...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: 'Finger' Exercises Dramatic Control | 3/9/2010 | See Source »

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