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Word: playgoer (lookup in dictionary) (lookup stats)
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...pits the serious modern playmaker against the traditional function of Western art, which T. S. Eliot defined as "imposing a credible order on ordinary reality, and thereby eliciting some perception of an order in reality." By contrast, it is the deliberate intent of modern theater art to bring the playgoer to a condition of inner turmoil, anguish and revolt...

Author: /time Magazine | Title: Essay: THE MODERN THEATER OR, THE WORLD AS A METAPHOR OF DREAD | 7/8/1966 | See Source »

Serjeant Musgrave's Dance. Give some playwrights a stage and they turn it into a combination lecture platform and thundering pulpit. Scarcely bothering to dramatize their themes, they simply harangue the playgoer as if he were a retarded child or a calloused sinner...

Author: /time Magazine | Title: Theater: Pacifist Manifesto | 3/18/1966 | See Source »

Since Henry II could not possibly recognize himself or his brood in Goldmancolor, the playgoer should not strive to do so. Winter is rather a day in the life of that boisterous Plantagenet family in the little 12th century castle halfway down the next block. It is Christmas Eve, and a spat is in progress. That is what the play is, an interminable family spat. The three boys, or brats, want Daddy's crown, and they sulk and scream over it as if it were the prize in the Cracker Jack box. Daddy wants Mommy's booming piece...

Author: /time Magazine | Title: Theater: Family Spat | 3/11/1966 | See Source »

...point Lee Remick has located the doll, hidden it beyond likelihood of discovery, and decoyed the thugs out of the apartment. Instead of staying to be tortured or killed, she ought to call the police or flee. Playwright Knott seems to have forgotten that to scare a playgoer out of his senses, one must first satisfy his good sense...

Author: /time Magazine | Title: Theater: Gordiam Knott | 2/11/1966 | See Source »

...Broadway MARAT/SADE shreds the nerves, bruises the ear and hypnotizes the eye. In a display of directorial virtuosity, Peter Brook has expanded Playwright Peter Weiss's metaphor of the world as a madhouse, and the superbly disciplined Royal Shakespeare Company envelops the playgoer in an experience that is largely inspired sensationalism, but quintessentially theatrical...

Author: /time Magazine | Title: Television: Jan. 21, 1966 | 1/21/1966 | See Source »

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