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Word: playgoers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

This quest is electrically charged by Director Cyril Simon. Eleven actors sit facing the audience as ingenious lighting plays over them to orchestrate speeches and scenes like music, so that the playgoer feels that he is experiencing the thematic flow of the hero's life -lyrical, staccato, abrasive, brassy and blue. There are remarkable impressionistic renderings of states of feeling: the disembodied rush of a transcontinental train sucked through the vacuum of night, the empty-souled writhings of some Venice Beach bopniks. But in the end, the hero still seems incapable of drawing the bow of manhood...

Author: /time Magazine | Title: Theater: Off-Broadway, By Halves | 1/3/1964 | See Source »

...Legacy of Pain. In one of two compelling off-Broadway offerings that do have unity of tone, meaning, and performance, a consciousness of massive injustice and personal sorrow settles movingly upon the playgoer. In White America is a poignant chronicle of the Negro's centuries-old legacy of pain, oppression, and denial, from the days of slavery to the present hour. It is an evening of dramatic readings thoughtfully culled from the statements of Presidents, the reminiscences of ex-slaves and ante-bellum Southern matrons, the rantings of bigots. Sensitive actors make the word intolerance become flesh, tortured, torturing...

Author: /time Magazine | Title: Theater: Off-Broadway, By Halves | 1/3/1964 | See Source »

LUTHER. Playwright John Osborne looks back in anger at the people and practices that outraged Martin Luther. In the surging power of Albert Finney's portrayal, the playgoer senses the force that shaped the Reformation...

Author: /time Magazine | Title: Television: Dec. 27, 1963 | 12/27/1963 | See Source »

LUTHER. Playwright John Osborne looks back in anger at the people and practices which outraged Martin Luther. In the power of Albert Finney's portrayal, the playgoer senses the force which shaped the Reformation...

Author: /time Magazine | Title: Television: Dec. 20, 1963 | 12/20/1963 | See Source »

Playwright Rattigan's judgment ranks little higher. In a crucial scene, he asks the playgoer to believe that the homosexual president of a mammoth U.S. corporation would blandly ignore a $6,000,000 auditing discrepancy in Antonescu's books just to get the telephone number of a boy who has taken his fancy. The boy (Barry Justice) is Antonescu's illegitimate son, and the father is dangling him as pervert bait to land a merger that may save his Depression-gored financial empire. While waiting for this rococo rotter to tot up his accounts with a final...

Author: /time Magazine | Title: Theater: Rococo Rotter | 11/22/1963 | See Source »

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