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Word: playgoers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...point Lee Remick has located the doll, hidden it beyond likelihood of discovery, and decoyed the thugs out of the apartment. Instead of staying to be tortured or killed, she ought to call the police or flee. Playwright Knott seems to have forgotten that to scare a playgoer out of his senses, one must first satisfy his good sense...

Author: /time Magazine | Title: Theater: Gordiam Knott | 2/11/1966 | See Source »

...Broadway MARAT/SADE shreds the nerves, bruises the ear and hypnotizes the eye. In a display of directorial virtuosity, Peter Brook has expanded Playwright Peter Weiss's metaphor of the world as a madhouse, and the superbly disciplined Royal Shakespeare Company envelops the playgoer in an experience that is largely inspired sensationalism, but quintessentially theatrical...

Author: /time Magazine | Title: Television: Jan. 21, 1966 | 1/21/1966 | See Source »

MARAT/SADE shreds the nerves, flays the skin and vivisects the psyche. In a display of directorial virtuosity, Peter Brook has expanded Playwright Peter Weiss's metaphor of the world as a madhouse, and the superb Royal Shakespeare players envelop the playgoer in a disturbing, enthralling theatrical experience...

Author: /time Magazine | Title: Television: Jan. 14, 1966 | 1/14/1966 | See Source »

...Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, by Peter Weiss, is a hypodermic needle plunged directly into the playgoer's emotional bloodstream. It hypnotizes the eye and bruises the ear. It shreds the nerves; it vivisects the psyche-and it may scare the living daylights out of more than a few playgoers...

Author: /time Magazine | Title: Theater: Blood Bath | 1/7/1966 | See Source »

...American actor, who almost invariably tries to humanize his role and to bridle the most outrageous farce with the halter of naturalistic plausibility. And Wycherley's characters cannot be played as people, since they are monsters in velvet and lace, transparencies of vice through which the playgoer is meant to view...

Author: /time Magazine | Title: Theater: Bad Restoration | 12/17/1965 | See Source »

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