Search Details

Word: playgoers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...week next season, could easily be absorbed in current budgets, which, said the union, are warmly padded. The producers, on the other hand, insisted that they simply could not afford to tack a single penny onto already excessive production costs. Amid all the argument, the playgoer is sure of only one thing: he pays more for tickets than ever before. In 1940, seat prices ranged from 50? to a maximum (for musicals) of $4.40. Today's top: $9.90. Where does this money...

Author: /time Magazine | Title: BROADWAY: The Show Doesn't Go On | 6/13/1960 | See Source »

Many things in this script tax to the umost the oft-stated "willing suspension of disbelief" that every playgoer is supposed to bring with him into a theatre. Shakespeare was never primarily concerned with story line, anyway; he was more interested in character than in plot. For All's Well he just snapped up a Boccaccio tale from a secondary source, complete with the trite gimmick of identification of rings. But he failed to expend the necessary effort on characteriaztion as well. Pascal once said, "Every author has a meaning in which all the contradictory passages agree...

Author: By Caldwell Titcomb, (SPECIAL TO THE HARVARD SUMMER NEWS) | Title: All's Well That Ends Well | 7/30/1959 | See Source »

...success story, has suffered more color changes than a traffic light. As first written, back in 1936, Anna was a backstreets melodrama in which Playwright Philip Yordan rummaged among some white trash in a small town. The principal characters were poor Poles, and the heroine was described by one playgoer as "a sort of squarehead Camille." When the play, as written, failed to get a Broadway opening, Playwright Yordan remaindered the rights to the American Negro Theater. The white trash became black trash, and caught fire. Anna moved to Broadway, played to packed houses for more than two years...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 26, 1959 | 1/26/1959 | See Source »

...Broadway plays (S. N. Behrman's The Cold Wind and the Warm) had the full tide of critical scrutiny. Dutifully, reviewers hunched down in aisle seats and saw their appraisals through the typewriter. Theater pressagents soon had mimeographed copies of neatly excerpted reviews ready, but only the playgoer passionate enough to watch for critical summaries on radio and TV got the impact of first-nighters' verdicts. The score...

Author: /time Magazine | Title: The Theater: Stilled Voice | 12/22/1958 | See Source »

...crush at last week's opening of Walter and Jean Kerr's musicomedy Goldilocks (see THEATER) had one of the most important parts in the show: he was the moneyman. Roger Lacey Stevens, 48, a balding, burly real estate operator who did not become a playgoer until he passed 30, today is the busiest producer on Broadway. He handles the purse strings for 1) the Producers' Theater, a group he formed with Producer Robert Whitehead; 2) the famed Playwrights' Company; 3) ANTA (American National Theater and Academy); and 4) the Phoenix Theater, Manhattan's most...

Author: /time Magazine | Title: Show Business: Stage-Struck Shrewdie | 10/20/1958 | See Source »

Previous | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | Next