Word: playing
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Dates: during 1920-1929
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...some new player. The one at Hillcrest was a giant Californian, Fred Morrison, who made 15 threes during the 36-hole qualifying round and won the medal with 136, four better than Diegel. Before long he disappeared into the traps that medalists so often discover in a match play. Harry Cooper, who had been given a starting time, was ruled out because he had not played in the elimination tournament in his district. Tommy Armour, one-eyed Scot, was sick at home. Al Espinosa put out Bill Melhorn in a match that went 40 holes, then was put out himself...
...prefers understatement. When it is necessary for him to lie in vinous stupor on a couch, he forms no such abandoned arabesques with his body as did John Barrymore, who acted an adaptation of this play (Redemption) several years ago. Deliberate, warm, avoiding histrionism. the current Fedya invites comparison rather with the splendid performance given by the famed German actor Alexander Moissi during last year's visit to Manhattan...
...Amorous Antic. Harlow Balsam (Frank Morgan) is engaged in writing a play which incorporates such progressive features as a girl on a bicycle and a bishop, both nude, but appearing in total darkness. His wife Sena (Phoebe Foster) is painting a geometrical portrait of Percival Redingote (Alan Mowbray) who, in turn, is about to carve a bust of Sena. Because Miss Foster is a brittle beauty, Mr. Morgan an absurd farceur, and Jo Mielziner, who designed the scenery, knows how to burlesque the futuristic trend, this satire on ultra-modern estheticism by Novelist Ernest Pascal (The Marriage...
Playwright Pascal makes it humorously clear that his subjects talk so interminably about sex that their actions are a self-conscious mockery. Unfortunately his dialog, which gets off to a smart start and upon which the play depends, becomes banal and repetitious...
Rank still counts: this particular camp, in which only officers are allowed, is ruled by the ranking officer with the severe discipline, the stiff etiquette, of the regular army. To pass the time the prisoners write novels, play soundless music on a plank painted like the keyboard of a piano, compose invisible petitions on imaginary typewriters. Amateur theatricals turn the whole camp into a burrow of homosexuality. When the Russian Revolution and the Treaty of Brest-Litovsk come, the prisoners plan an escape en masse, nearly run into a massacre, are thankful to get back to their safe prison again...