Word: playing
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Dates: during 1980-1989
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...young men of the Casbah think differently. Each day they play a deadly game of cat and mouse with the Israeli patrols, attacking with rocks and Molotov cocktails -- and succumbing to the army's return fire of bullets and rubber-coated metal balls. In a single day the same filthy streets may be "liberated" and reoccupied a dozen times...
...dusk the streets are deserted. "Anyone who goes out at night may be shot on sight," says Abdel Nasser, 24. "We sit and think only of revenge." In a nearby hideout, Jamal and fellow activists gather to chain smoke, play cards and mythologize their suffering. When the claustrophobia becomes unbearable, they sneak up to the rooftop to stare at the stars and the sweeping spotlights from Israeli patrols. Says Bassem, 29, who has been on the run for a year: "I'm expecting one of two things: either prison or death in an ambush...
...Jewish nation's continued rule over 1.7 million Arabs is dangerous and absurd. And after decades of serving as pawns for larger powers, the Palestinians in the West Bank and Gaza have taken control of the Arab struggle against Israel, forcing the rest of the Arab world to play catch-up. Jordan's King Hussein took his cue last year by revoking his claim to the West Bank. Last December P.L.O. Chairman Yasser Arafat made capital out of the uprising by renouncing terrorism and recognizing Israel's right to exist...
...with governesses and chauffeurs. With the Communist takeover in 1948, the family's wealth became an albatross. Havel was denied the opportunity to attend high school or college. While working as a taxi driver and then in a brewery, he pursued his writing and in 1963 saw his first play, The Garden Party, mounted in Prague. In April 1968 Havel traveled to New York to see the Public Theater's production of his second play, The Memorandum. Four months later, the tanks rolled through Prague, and one of the new regime's first acts was to censor Havel's writings...
Watching Meryl Streep as Mary Fisher, romance novelist, is like seeing Margaret Thatcher play the horse in a Christmas pantomime -- and with delicious style. The great gray lady of movie drama brings her precise acting tools to a comedy of manners, flouncing wittily onto a couch, exhaling every word in swooning intimacy, switching from fawn to fume in the wink of a lover's indiscretion. She can even speak American English without an accent. Surprise! Inside the Greer Garson roles Streep usually plays, a vixenish Carole Lombard is screaming to be cut loose...