Word: plays
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Dates: during 1950-1959
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...play seems a little lonely, a little too distant from its materials, a little too given to mood. Music does service for speech; the Inge touches, the Inge faces, even where effective, seem overfamiliar. Perhaps the play's too plangent and elegiac title helps express what is unsatisfying about its text...
...second biggest," Sheilah purrs back, looking as if she has just said something brilliant.) And scarcely a scene goes right for Director Henry (The Bravados) King. The principals stumble around in patent and sometimes comical confusion. Deborah Kerr is a fine, sensitive actress, but when she tries to play Sheilah as a hard-lipped careerist, she looks like a nice little girl about to say boo to a goose. Gregory Peck tries painfully hard to be Fitzgerald, but manages no more than a nightclub imitation of an intellectual...
...deserves more credit than he usually gets, Author Gregory believes. He sees Whistler as a proto-impressionist, as an early Western exponent of Japanese and Chinese techniques, and as the experimental godfather of modern nonobjective painting. Less debatably, Author Gregory ranks Whistler as a culture hero who refused to play drawing-room jester to Victorian philistines and who always regarded art as a basic necessity, not a superficial luxury of civilized life...
...Tenth Man. In a drab Mineola, L.I. synagogue full of picturesque Jews, Playwright Paddy Chayefsky mixes surrealism and Freud, demonology and farce to create a play that succeeds as theater but fails as anything deeper...
Take Me Along. Trusting to mood rather than momentum, this musical version of Eugene O'Neill's only sunny play (Ah, Wilderness!) provides a pleasantly nostalgic evening. With Jackie Gleason, Walter Pidgeon, Eileen Herlie and Robert Morse...