Search Details

Word: plays (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...next offering, Arthur Miller's Death of a Salesman, had to be held over for an extra week. This eloquent and moving tragedy of the little man is surely the finest serious American play since Eugene O'Neill; and it enjoyed a distinguished performance under a British director, Basil Langton, despite the fact that it is an intensely American work...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...major reservation concerned the choice of background music, which was decidedly off-key with the rest of the production. For a play as purely American as this, surely something more appropriate could have been found than the exotic Brazil-inanities of Villa-Lobos...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

Jerome Kilty thrives on challenges and obstacles; and once again he took a thorny classic and turned it into a viable and engrossing theatrical experience. The Merchant of Venice is a good play; but director Kilty made it seem like a great play, and this was no mean feat. One forgot that the play is poorly constructed and rather liberally endowed with passages where Shakespeare definitely nodded...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

There must be at least half as many ways to play Shylock as to play Hamlet, and most of them have been tried. Max Adrian gave us an unsympathetic Shylock--bitter, gloating, sadistic. Adrian is constitutionally incapable of doing a slipshod job; and this was a notable performance. Morris Carnovsky's unsurpassable portrayal last summer was an extraordinarily complex one; and it was no reflection on Adrian if he could not match it. Adrian's Shylock was simpler and more straightforward, and wholly consistent. And he adopted a faster tempo than most actors, avoiding exaggeration and the temptation to make...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...casket-choosing scenes can be a bore, too. But Jay, doubling as the Prince of Arragon, emerged as a delightful fop. Robert Evans made the Prince of Morocco a glum, dead-pan character, with unfortunate results; the only way to save him is to play him for comedy, as Earle Hyman did so tellingly last year...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

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