Word: plays
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Dates: during 1950-1959
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...punt isn't just a last-ditch defensive play," argues Father Fenton. "It's an offensive weapon. A good quick kick puts a team on its heels, and you're likely to get the ball back right away on a fumble or a blocked punt. Same way with a 'coffin-corner kick' [a kick that goes out of bounds within the 10-yd. line]. They're both fine short-term investments. You'll get that ball back with interest...
...worldwide coverage for which readers formerly turned to metropolitan dailies. Many newspapers are prospering in spite of almost irresponsible mediocrity. But in a comparative survey last week, TIME correspondents across the U.S. found that in a majority of cases top national and international stories got substantially the same play in big cities and small. The middle-tier papers have also been quick to seize on such technological advances as color printing, tele-typesetters and cheap, fast methods that enable them to use as heavy photo coverage as most city dailies...
Pianist Graffman had Old 199 with him last week when he turned up in Boston's Symphony Hall to play Brahms's Piano Concerto No. i in D Minor. It was the kind of performance-thick-textured, solidly shaped, glowing with suffused light -that Graffman's audiences have come to expect of him. The great, blustery music of the first movement burst from the piano in finger-blurring but perfectly articulated gusts of sound; the contrasting adagio glided as serenely as a gull...
Graffman, Istomin and Fleisher share remarkably similar backgrounds, musical tastes and careers (Lateiner has not yet performed as widely as the other three). Like Graffman, both Istomin, 31, and Fleisher, 29, are the sons of Russian-born parents. Brooklyn-born Eugene Istomin abandoned a boyhood ambition to play for the Dodgers (he served as their water boy during one spring training) in favor of a scholarship at Curtis, where he studied under Pianist Rudolf Serkin. San Francisco-born Leon Fleisher studied under Artur Schnabel in Manhattan, got his biggest professional boost five years ago when he won Belgium...
...Rope Dancers (by Morton Wishengrad) is that once-or-twice-a-season sort of play that is unsuccessful but "interesting." It introduces to Broadway a playwright who is almost struttingly grim, carrying larger-sized luggage than he can fill; but who seems altogether resolved to go his own way, even if he lose his way in the process. Laid in a turn-of-the-century Manhattan tenement, The Rope Dancers is a stubbornly harsh story of a lacerated family. Hard-working Margaret Hyland is a rigid, arrogant, unappeasably bitter woman with a lazy, feckless would-be writer of a husband...