Word: plays
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Dates: during 1950-1959
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...courtly man who is seldom without a pocketful of seed for the birds about his place, he works by himself from 8:30 each morning to 10 at night in a spacious stone library, takes time out only to do a little painting, putter about the grounds, play on his electric organ, or chop a stack of firewood. But out of this solitude has come a philosophy that offers a hopeful vision of the unity of the universe...
...cell to hang for stealing a yard of yarn; a bandaged old man who lost his ears for criticizing the Lord Chancellor; and the prince's whipping boy, hardly bigger than the Great Seal used by the pauper to crack nuts in the palace. But the play's most memorable image was its gentlest: a lovely little girl (Patty Duke, 8) finding the tattered prince-by then the king-asleep in a haystack. The prince identified himself as "the king" and, while a tiny kitten pawed at her long tresses, she asked with disarming, grave eyes: "Oh, what...
Time was when college football was devoted to the classic commandment of sport: play to win. From Slippery Rock State Teachers to the semipro squads that are the pride of the country's largest universities, players and coaches alike were devoted to a single statistic, the final score. Few teams made more of a business of winning than the powerful platoons of the Big Ten, and few Big Ten teams had a better reason for trying to win last week than the husky Hawkeyes of Iowa...
...Carson McCullers) obviously stems from a writer of talent. But in Square Root the talent seems in hopeless disarray. The author of The Member of the Wedding has written on a variety of themes, in a variety of tones, at a variety of tempos. Possessing sufficient material for several plays, Square Root, for lack of integration, largely comes off no play at all. It makes plain throughout, not least by way of hate, that the square root of wonderful is love. Its parts are not only greater than the whole; they also destroy the whole...
With three of its characters evoking Tennessee Williams' Glass Menagerie, the play has also the three-pronged subject matter of Cat on a Hot Tin Roof. An elderly, genteelly despotic Southern mother has badly hurt her daughter and her son-the daughter is an all-tied-up-in-knots old maid; the son a psychotically bitter, frustrated writer. The son has in turn badly hurt the simple girl (Anne Baxter) who twice, from sheer sexual compulsion, became his unhappy wife. Divorced now, he comes from a mental home to break in upon her romance with an uncomplicated architect...