Word: plays
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Dates: during 1950-1959
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Marx & Butter. The kind of man Khrushchev is had been case-hardened in the crucible of what Communism is-and both underlay every play of last week's drama. Khrushchev learned his Bolshevism out of his dismal early life-born and bred in a mud-and-reed hut, boy shepherd, child laborer in the coal mines, whipped unforgettably with a knotted nagaika while caught fishing on a princely estate. He was semiliterate until his mid-208, when he was sent, along with other Red army civil war veterans, to Lenin's Rabfak (workers' school). He learned...
Khrushchev went down from Capitol Hill to Blair House just in time to swap his tan suit for his dark suit and play host at a state reception of the Soviet embassy. The first U.S. President to cross the embassy threshold, Dwight Eisenhower led his lady and 31 other Americans in joining 23 Russians in caviar, borsch and shashlik beneath crystal chandeliers. Said Khrushchev of his trip to date: "I'm very pleased-despite the strong propaganda, a warm reception." "Had anything he had seen changed his prior conceptions about...
...grandstand play, capitalizing mercilessly on the lurking fear of nuclear holocaust, Khrushchev's brash maneuver might win him some propaganda advantage with plain people around the world. And some U.S. officials continued to argue that Khrushchev genuinely wants some measure of disarmament, which would permit him to switch military manpower and funds into raising Soviet living standards. But in blasting off so crudely from his U.N. launching pad, Nikita had displayed a brute cynicism that repelled responsible statesmen everywhere. "It sounds so easy," said an Asian delegate to the U.N. "I think he must take us for morons...
...American premier of The Burnt Flower-Bed, written in 1952 by the late Italian dramatist Ugo Betti. Betti has been hailed as a greater playwright than Pirandello; he is certainly not that, but he does deserve a place among the most important modern writers for the theatre. This play deals with the problem of present-day nihilism and international political diplomacy. If it did not lapse periodically into propagandistic sermonizing, it would be a masterpiece...
...tribute to the late Ethel Barry-more, the Tufts Theatre concluded the season with The Royal Family. George S. Kaufman and Edna Ferber wrote this play 32 years ago as an affectionate spoof of the whole Barrymore family in the Twenties when it was the reigning theatrical dynasty...