Word: plays
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Dates: during 2010-2019
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Iman and Wright are the runaway stars of the play. Iman plays the part of intelligent young maid Cheryl with energy and vivaciousness tinged with sadness, hitting exactly the right note of each. Her facial expressions convey so much emotion that they almost serve as spoken lines, and she comes into her own at the end of the play when all is revealed...
...emotionally charged production with a beautiful set, a talented cast, and a script that forces deep consideration of difficult issues. Diamond is excellent at building up emotional tension, diffusing it with humor, and then continuing to build it again to nearly unbearable levels. Unfortunately, the ending of the play leaves a bit to be desired, as this final tension fails to culminate in a satisfying conclusion; instead, the show simply fizzles out. The play’s greatest strength, however, is that it makes the story of the LeVays universal, inviting audience members of all backgrounds to share...
...motivation behind their practice: the opportunity to make a crowd happy. Indeed, student DJs, given the amount they spend on gear, the time they spend searching for new music, and the time they spend preparing for gigs, make a mere pittiance by comparison. Moreover, they rarely find opportunities to play music beyond a repetitive and narrow set of Top 40 hits. What’s left qualifies the art of the college-aged turntablist as an ecstatic and sweaty form of community service...
...away with doing the bare minimum. “The trick is that people already like the music,” said Kane Hsieh ’12. “Don’t touch the music. As long as you transition well, keep the beat smooth and play the right songs, people will love it.” In the same vein, Hsieh insists that being a DJ in a college setting does not require the complicated set of skills that artists like VanMiddlesworth treasure. “Anyone that puts in the amount of effort required...
Nonetheless, most DJs, even those with an impressive technical background, still love playing Harvard’s campus dances and formals. “I’ve been doing this for a couple of years now, and I’ve learned the hard way that you don’t want to be too rigid about any of your principles as a DJ,” remarks Dan J. Thorn ’11, who DJed Hell at Currier’s Heaven and Hell Halloween party last semester. “If you’re rigid...