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...faithful to its own artistic designs, you might suppose Tom Stoppard had written Arcadia expressly to refute his critics. Though having led something of a charmed professional life (he has been internationally acclaimed since his first produced play, Rosencrantz and Guildenstern Are Dead, in 1967), the Czechoslovak-born playwright has not been spared his detractors, particularly in his adopted England...

Author: /time Magazine | Title: A HOUSE OF GAMES | 4/10/1995 | See Source »

Dunster resident Francesca B. Delbanco '95, who played Anna, the character based on the playwright, said the performance at the Festival was "pretty amazing and a remarkable theater production...

Author: By Sheila VERA Flynn, | Title: "Baltimore Waltz" Receives Award At Kennedy Center Competition | 4/6/1995 | See Source »

DIED. SIDNEY KINGSLEY, 88, playwright; in Oakland, New Jersey. Kingsley's stage works were known for their flinty realism and social crusading. Dead End decried the slums of New York, inspiring New Deal public-housing legislation (forever tagging the young actors who appeared in the film version as "The Dead End Kids"). The 1933 Pulitzer-prizewinning Men in White proselytized for abortion rights-and created much of the narrative vocabulary for all medical melodramas that followed. Kingsley's 1949 blend of Freud and fisticuffs, Detective Story, had a similar impact on the now ubiquitous, then trailblazing cops-and-crooks...

Author: /time Magazine | Title: Milestones Apr. 3, 1995 | 4/3/1995 | See Source »

David J. Eilenberg '97, a resident of Dunster House, received the Phyllis Anderson Prize for his one-act play, Pumpkin. The prize, which is given by the College every other year to a student playwright, is accompanied by a $500 cash award...

Author: By Valerie J. Macmillan, | Title: Dunster Sophomore Wins Anderson Prize | 3/20/1995 | See Source »

...play's greatest strength is playwright John Guare's absolutely precise understanding of the Kittredges' life and milieu. They are sophistcated, ironic, baffled by their children, and a bit greedy, and their rapid-fire dialogue is the play's only unalloyed pleasure. Elsewhere, when Guare burlesques surly adolescents or waxes philosophical about the value of deep human connections, the play loses its sure touch; but when the Kittredges are on stage, especially in the first scene, they are delightful to hear...

Author: By Adam Kirsch, | Title: Degrees of Delight at the Ex | 3/16/1995 | See Source »

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