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PLENTY must have been a difficult play to produce, especially for a college group. It tolerates nothing short of perfection from the actors and the director. Playwright David Hare has nothing but contempt for such mundane matters as coherence or chronology. The play demands complete attention from the audience at all times. But it's an absorbing and challenging play, and the Dunster production rescues it from a potential mire of complications and communicates its full, disturbing potential in the miniscule Junior Common Room...

Author: By Sean C. Griffin, | Title: More than Enough | 3/11/1988 | See Source »

...didn't sleep through the English 10 lecture on Restoration comedies, you may remember that William Congreve was a successful and respected playwright until his play The Way of the World failed miserably, and he retired from the stage in shame and defeat. If you watch the North House production of World, you will understand...

Author: By Lois Leveen, | Title: World-Weary | 3/11/1988 | See Source »

...what he regarded as the "travesty" of the New York production, the more phlegmatic Rice was content to let it run its course and enjoy the success. A few months later, when Rice dropped out of a treatment of P.G. Wodehouse's unflappable butler, Jeeves, Lloyd Webber enlisted Playwright Alan Ayckbourn and put the show on the boards in Bristol. It eventually closed in London after 47 performances -- a failure that continues to rankle the fierce perfectionist...

Author: /time Magazine | Title: Show Business: Magician of The Musical | 1/18/1988 | See Source »

...Piano Lesson literally come to life in a hocus-pocus scene which is badly out of step with the simple poetry of the production. Wilson seems to believe so fiercely in the powers of imagination that he is ultimately trapped by them. He's a visionary, poetic playwright and at times his vision seems to over-whelm...

Author: By Aline Brosh, | Title: Family Ties | 1/15/1988 | See Source »

...media event with flowing blood and absurdist overtones. The aging Beat poet Allen Ginsberg chanted om in Lincoln Park. Jean Genet, the French homosexual playwright and ex-convict, wrote titillated prose about how attractive and powerful the cops' thighs were. Abbie Hoffman developed a cordial relationship with the plainclothes policemen assigned to tail him everywhere, but he shook them sometimes and spirited around town in a score of disguises...

Author: /time Magazine | Title: 1968 Like a knife blade, the year severed past from future | 1/11/1988 | See Source »

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