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...performance of “The Art Room,” ushers dressed as orderlies will attend the audience, handing out medication in the form of breath mints. Despite its bizarre setting, Billy Aronson’s play is actually a romantic comedy based on a farce by French playwright Georges Feydeau. Renée L. Pastel ’09 directed and Davone J. Tines ’09 and Kelley D. McKinney ’09 produced the Loeb Experimental Theatre production, which debuted last night and runs through Saturday. “It’s really...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: ‘Art Room’ Finds Humor in Mental Hospital | 11/2/2007 | See Source »

...being called a "highbrow" playwright...

Author: /time Magazine | Title: Q&A with Tom Stoppard | 10/25/2007 | See Source »

...central puzzle of A Writer's People, in the end, is the unimportance of people to the author of it. The pages are littered with names (Kingsley Amis drinking in London's Fleet Street, or Aldous Huxley watching Gandhi make a speech in India, or Naipaul discussing the Greek playwright Menander with former British Prime Minister Harold Macmillan) but names are all that most of them remain - two-dimensional also-rans in Naipaul's literary one-upmanship. The laughing, exuberant and fleshed-out characters that were such a feature of his earlier work have got up from the table...

Author: /time Magazine | Title: Pique Performance | 10/25/2007 | See Source »

...spectacle of Tom Stoppard hoofing it through the theater district on a bum foot would be disconcerting to people who think of the playwright as something of an litist. Ever since his sensational stage debut in 1967 with Rosencrantz and Guildenstern Are Dead--his absurdist riff on a pair of minor characters in Hamlet--Stoppard has become almost a genre unto himself, taking intellectual, often abstruse subject matter and turning it into challenging yet playful drama. His game, frequently, is the oddball juxtaposition: moral philosophy and gymnastics (Jumpers); Fermat's last theorem and Byron's love poetry (Arcadia); James...

Author: /time Magazine | Title: Theater: Elitist, Moi? | 10/25/2007 | See Source »

Having written plays with titles such as “Trojan Barbie,” “Mothergun,” and “Pussy Boy,” Australian playwright and Harvard lecturer Christine M. Evans is not exactly looking to be uncontroversial.Evans, the Briggs-Copeland lecturer on English and American literature and language, is set to debut her latest play, “Weightless,” at the Perishable Theatre in Providence on Monday, Oct. 29. The play is about a family living on the top of skyscraper who don’t want...

Author: By Katherine L. Miller, CONTRIBUTING WRITER | Title: Harvard Playwright Spins Social Parable in Providence | 10/25/2007 | See Source »

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