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...because of the enduring quality of the character's conflicts and motives. It is these conflicts and motives that Tourner caricatures in this play written during Shakespeare's heyday. The frivolity of court life, the superficiality of the nobility, and their preoccupation with pleasures of the flesh draw the playwright's satire. But unlike with Shakespeare's plays, a modern-day director is hard-pressed to give the vengeance play's intentionally superficial characters any meaning for a modern-day audience. The result, under the direction of Andrew Atkinson, is an exaggerated performance by pasteboard characters...

Author: By Mary Humes, | Title: Ancient History | 3/16/1983 | See Source »

...modern audience, he tailors it well to Leverett House's theater. The oak beams and wooden panelling of the stage provide the perfect backdrop for a play of this vintage. The choreography, which distributes the action over several different locations and levels, sustains the audience's attention, turning the playwright's flouting of the era's "unity of place" rule into an asset. Soliloquies from the ledges of the room's high-set windows, for example, make good use of the unusual features of the library. The audience--including a group sitting on burlap sacking on the floor...

Author: By Mary Humes, | Title: Ancient History | 3/16/1983 | See Source »

...Playwright Athol Fugard's semi-autobiographical Master Harold and the Boys takes place in segregated South Africa in 1950. What makes this a great work, however, is its ability to transcend the racial line and take us into a higher realm of human emotions. That is not to say apartheid is not a subject, but it is only one facet in this play of interlocking themes...

Author: By William S. Benjamin, | Title: Victim of The System | 3/11/1983 | See Source »

Since its inception in 1975, the Learning From Performers series has sponsored visits to Harvard by such notables as actor Robert Redford, playwright Arthur Miller and cellist Mstislav Rostropovich...

Author: NO WRITER ATTRIBUTED | Title: Sarandon Visit | 3/8/1983 | See Source »

...only redemption he knew of was "when a person puts himself aside to feel deeply for another person." In the finest moments of his finest plays, Williams achieves the lesser, but genuine, catharsis of self-transcendence. In breaking out of the imprisoning cycle of self-concern, the playwright and his characters evoke a line from Ecclesiastes: "To him that is joined to all the living there is hope...

Author: /time Magazine | Title: Theater: The Laureate of the Outcast | 3/7/1983 | See Source »

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