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This might seem like the darkling prologue to a swellingly somber theme. Will 'German Playwright Hildesheimer offer us fresh insights into Mary's vaulting ambitions, her untempered will, her vulnerable femininity and her invincible Catholicism? Or will he move us by limming the last pathetic hours of a woman at the mercy of a woman who knows no mercy, Elizabeth I? Neither. Hildesheimer believes that history is an obscene irony, an absurdist fable signifying nothing. His prelates, earls, doctors, ladies in waiting and greedy hangers-on vary so little from the monarch that they are all like cards...

Author: /time Magazine | Title: Theater: Regal Romp | 3/2/1981 | See Source »

DIED. Katherine ("Ketti") Frings, 61, versatile novelist, screenwriter and playwright whose film credits include Come Back, Little Sheba (1952) and The Shrike (1955), and who won a Pulitzer Prize in 1958 for her stage adaptation of Thomas Wolfe's Look Homeward, Angel; of cancer; in Los Angeles...

Author: /time Magazine | Title: Milestones: Feb. 23, 1981 | 2/23/1981 | See Source »

...Irish playwright, almost blind, appears in his shabby, shadowy room, warmed by a dark red blanket, looking like some sort of sweet yet cranky prince of the mind and spirit. On the basis of his memoirs, that is just what Gjon Mili appears...

Author: /time Magazine | Title: Books: Princely Prints | 2/16/1981 | See Source »

...evening of literary vampirism on an up-beat note. Albee faithfully recreates Nabokov's part-farcical, part-horrifying murder scene: as the last act of his love-obsession, Humbert tracks down and decides to kill the man who had eventually helped Lolita escape him--the effeminate playwright Clare Quilty, played by William Mooney (standing in for Clive Revill in the performance I saw). Mooney enters from the top of a long, garishly majestic stairway leading down into a scene of post-party streamers, ashtrays and drinks. Sutherland announces his death sentence to him in the form of a ponderous poem...

Author: By Scott A. Rosenberg, | Title: A Statutory Drama | 2/14/1981 | See Source »

...stage Lolita without either ponderous moralizing or trivializing farce. As long as society remains uncomfortable with this subject while simultaneously exploiting it--and that, no doubt, will be a long time--Lolita will be far safer at home with Nabokov than in some motel room with a leering playwright...

Author: By Scott A. Rosenberg, | Title: A Statutory Drama | 2/14/1981 | See Source »

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