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...separate their claims on our attention. It should not surprise us to find that when a play's political tension is built upon the same internal logic that propels its dramatic development, each is made more vivid by the resonance of the other. This can only happen if the playwright's chief concern is to write something, not write about something. If the play stands on its own merits, then it can also bear the weight of the things it is about. But if doesn't stand alone, then it fails not only itself, but its self-proclaimed cause...

Author: By Barbara Fried, | Title: Out of Focus | 11/4/1974 | See Source »

...college--get a job as a clerk, you'll meet a nice man..." wash over us with the indistinct familiarity of a TV ad we've heard a hundred times. It is obvious why this is not good theater: the characters are merely pasteboard stand-ins for the absent playwright. And while it may be less obvious, it is equally true that neither is this good politics. Rather than bring us closer to the truth, the play helps us keep it at arm's length. The thrust it makes into our lives is precisely that which we are most adept...

Author: By Barbara Fried, | Title: Out of Focus | 11/4/1974 | See Source »

Fabled residents have included writers like Mark Twain and O. Henry, Thomas Wolfe and Dylan Thomas. Today the Chelsea is the permanent domain of Composer Virgil Thomson, the spot that Playwright Arthur Miller chooses to stay at when he is in town opening a new play, and the regular New York stopover for a host of luminaries from the world of art, music, film and fiction, who, along with its dozens of regular residents, prefer the funky, faded chic of the Chelsea to more contemporary quarters uptown. Perennial Chelsea guests include the entire Fonda clan, Director John Houseman and Actors...

Author: /time Magazine | Title: The Nation: Rip-Off at the Chelsea | 11/4/1974 | See Source »

...seasoned guests, who for years have known how to blink at outlandish goings-on at the Chelsea. "The incident just gives the place a little pep," observed Composer George Kleinsinger, a 17-year resident. "The Chelsea is still a very personal place, and I like it for that," says Playwright Miller, who lived there from 1965 to 1972. "It has big, quiet rooms. Some of them," he adds with an indulgent smile, "need painting, of course...

Author: /time Magazine | Title: The Nation: Rip-Off at the Chelsea | 11/4/1974 | See Source »

Chee-Chee may sound like part of a soundtrack of Irven DeVore's latest researches into primate behavior, but is actually someone's transliteration of the title of a play by the great Italian playwright Lujgi Pirandello. Pirandello is best known for his somewhat stagey plays Henry IV, Six Characters in Search of an Author, and Right You Are [If You Think You Are], which pretty much made reality vs. appearance the central obsession of modern theater. Chee-Chee is austere (it lasts only a half hour) but full of depth. This is the kind of play--rarely performed pieces...

Author: By Paul K. Rowe, | Title: THE STAGE | 10/24/1974 | See Source »

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