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Director MacDonald's choice of Robert Garringer as that "wise old fool," Lord Augustus Lorton, proved to be quite apt--and most humorous. Richard Sale was impressive as Cecil Graham, the erratic character that in so many ways resembles his erratic playwright creator...

Author: By David Blomquist, | Title: Propriety for the Prim and Proper | 8/17/1973 | See Source »

...members of Otrabanda-Sweenie excepted-are all in their mid-20s, former drama students at Antioch College under the tutelage of Flemish Playwright and Director Tone Brulin. When Brulin moved from Antioch to the Caribbean island of Curasao, a group of his devoted students joined him, and in 1971 they formed Otrabanda (named for the black residential quarter of Curasao-known as "the other side"). After returning to the U.S., the company employed Brulin's brash, blunt, highly physical and often noisy techniques mainly on tours to colleges and universities. "We played to very elite audiences," says Otrabandist David...

Author: /time Magazine | Title: Show Business: Mississippi Stagecraft | 7/23/1973 | See Source »

Over the past decade the AST has deserted its titular playwright eight times, but in so doing it has never gone back beyond early Shaw. Now it has reached back to the Restoration comedy of manners, and decided to celebrate the 300th anniversary of the Wycherley play's first performance...

Author: By Caldwell Titcomb, | Title: 'The Country Wife' in Bright, Funny Revival | 7/6/1973 | See Source »

Died. William Inge, 60, playwright and scenarist; by his own hand (of carbon-monoxide poisoning); in Hollywood Hills, Calif. In 1945 a Chicago production of Tennessee Williams' The Glass Menagerie inspired Inge, then a St. Louis drama critic, to give up reviewing plays and start writing them...

Author: /time Magazine | Title: Milestones, Jun. 25, 1973 | 6/25/1973 | See Source »

...door-slamming exit that climaxes Ibsen's once scandalous play about a bourgeois woman liberating herself from a claustrophobic marriage no longer shocks. The melodramatic blackmail plot in which she is ensnared for much of the time now seems a rather forced theatrical convention, not worthy of the playwright's thesis or a modern audience's interest. Its disclosure to her husband, which in turn exposes him as a hypocrite more concerned about his own status than his wife's reputation, seems both simple-minded and rather too specifically linked to a time (the late 19th...

Author: /time Magazine | Title: Cinema: Windup Doll | 6/18/1973 | See Source »

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