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...that have already shown a durable vitality. He also wrote an autobiography of his late teens called Borstal Boy. Though it lacks the density, scope and genius of Joyce's book, this is Behan's Portrait of the Artist As a Young Man. With a loving fidelity, Playwright Frank McMahon has pasted together a play that is more of a stage scrapbook, an episodic family album in which the elder Behan (Niall Toibin) sits at the edge of the stage and acts as a kind of chorus commentator on his earlier self (Frank Grimes...

Author: /time Magazine | Title: Theater: Gift of Golden Gab | 4/13/1970 | See Source »

...Playwright Charles Gordone will be featured on another right to discuss his widely-acclaimed three-act play, No Place To Be Somebody -the drama about a young and ambitious black saloon-keeper in an urban ghetto. Gordone's play is a brilliant affirmation of his own black ethos, yet it has achieved universal magnitude in the power of its characterizations...

Author: NO WRITER ATTRIBUTED | Title: Drama | 4/10/1970 | See Source »

...been borrowed from Putney Swope, this comic fantasy has more possibilites as soliloquy than as drama. Frederick William Rolfe, English recluse and neurotic who imagines himself Pope, has dreams more concrete than Dorothy's and ambitions no less earthshaking than Swope's. In treating the complex syndromes of Rolfe, playwright Luke has sidestepped the Putney-Swope assumption that what is sick must be funny: the Oz alternative (what is sick should be taken as fantasy) turns out to be dramatically unsatisfying and a little naive...

Author: By James M. Lewis, | Title: The Theatregoer Hadrian VII at the Colonial Theatre until April 25 | 4/10/1970 | See Source »

...plays were produced by the Negro Ensemble Company, founded two years ago by Actor-Playwright Douglas Turner Ward, Actor Robert Hooks and Producer Gerald Krone. The company is the apex of a genuine black breakthrough that occurred off-Broadway during the 1960s. The small theaters, mostly below 14th Street in Manhattan, were the training or proving grounds not only for Moses Gunn but for James Earl Jones (The Great White Hope) and Diana Sands (The Owl and the Pussycat"), as well as for Gloria Foster, Clarence Williams III, Cicely Tyson, Barbara Ann Teer, Rosalind Cash, Lou Gossett, Vinie Burrows, Yaphet...

Author: /time Magazine | Title: Theater: Rolling Thunder | 4/6/1970 | See Source »

Black Dialect and Rhythm. LeRoi Jones, a playwright and essayist, who has stood trial in New Jersey on charges related to his political activities, is perhaps the best known of the new black poets. "I make a poetry with what I feel is useful & can be saved out of all the garbage of our lives," he writes. "What I see, am touched by (CAN HEAR) . . . wives, gardens, jobs, cement yards where cats pee, all my interminable artifacts . . . ALL are a poetry, & nothing moves (with any grace) pried apart from these things. There cannot be closet poetry. Unless the closet...

Author: /time Magazine | Title: Books: The Undaunted Pursuit of Fury | 4/6/1970 | See Source »

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