Word: playwrighting
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Dates: during 1920-1929
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...Marriage Bed-Ernest Pascal, novelist, Ernest Pascal, film scenarist, becomes Ernest Pascal, playwright. While preparing dramas for the cinema he wrote a play, last week produced in Los Angeles with considerable California éclat and a good smattering of sound Manhattan theatre. It was an able play, staged with excellent ability by Robert Milton, famed Broadway director.* The principal performers were Alice Joyce and Owen Moore, cinemactors...
Following his novel of the same name Playwright Pascal proved why a wife should not divorce a husband who has been unfaithful. He placed his characters in the suburbs, brought the husband's woman out to see them, had a thorough, earnest airing of the family dirty linen. Mr. Pascal does not try "to be funny about divorce, nor is he tragic. He is honest rather than brilliantly original...
...Little Accident. When faced with the problem of making a play out of Floyd Dell's The Unmarried Father, Novelist Dell and Playwright Thomas Mitchell realized that it would be necessary to change the name of the book. The Little Accident was their idea of an improvement; but, having contributed this, they kept their fingers out of the butter and effected a thoroughly charming comedy...
...backstage Don Juan; actually its purpose was to exploit, not study, homosexualism in its most blatant form. A party was given on the stage by one pervert for his fellows; here Mae West provided her actors with shrill obscenities to shriek. The audience, more prurient even than the playwright, found these interludes funny or exciting; they laughed with weird crescendoes...
...excellent entertainment, clean without being inane. It is to be regretted that, in his effort to slight none of the great U. S. ideals, George Cohan has promoted or permitted a measly interlude, a song of which the title and refrain are "Personality." Possession. Edgar Selwyn is not a playwright who takes his comedy too lightly. Indeed, in this play of gloomy wedlock and ill-starred infidelities, he preaches a sad sermon with his quips and makes Margaret Lawrence, who usually seems bearable if not entrancing, a monstrous brute of conjugal ferocities. When her bond-broking husband (Walter Connolly) blankets...