Word: playwrighting
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Dates: during 1920-1929
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...edited by Burton Rascoe-William Morrow ($2). Editor Rascoe, who seems to be aware of everything in the world, has concocted an oldtime almanack distinctly in harmony with the traditional mood of the season. To his aid have rushed a host of accomplished specialists with important contributions. Marc Connelly, playwright & seer, provides the general forecast for the approaching year; Critic Nathan suggests a breath-taking change in post-Volstead nomenclature; Banker Streeter* supplies a startling opinion of what 1928 will do for Big Business; Florenz Ziegfeld dissertates on his favorite topic; poems flow from many a pen of unquestioned talent...
...detail where their struggle with the disease is concerned. Paganini is first. Then comes Schiller. Then Bichat. A gloomy procession which marched (bravely and blindly) before the day of Koch and his discovery, before modern science had tamed the scourge. Gradually the light dawns. The last fighter depicted is Playwright Eugene Gladstone O'Neill, fruitful and saved. The author disbelieves in the theory that tuberculosis produces genius, cites his cases to show what can be done despite the handicap, in the hope (presumably) of encouraging countless patients who have lost hope...
Died. Feodor Sologub, (Feodor Kuzmich Teternikov) 64, Russian poet, playwright, novelist, (The Little Demon, The Sorcery of Death, The Created Legend); in Leningrad, after prolonged illness...
...drums, marked the opening at a theatre in drowsy, medieval Prague, last week, of a U. S. thrill-drama, The Witch Doctor,* once known to Manhattanites as a poor imitation of White Cargo. After three of the characters had been clumsily and blatantly "killed" on the stage, famed Czechoslovakian Playwright Antoine Trych rose from his orchestra seat, drew an automatic pistol, and fired two shots over the heads of the actors. Amid the ensuing deadly hush, he cried: "I protest at the showing of this play in Prague! . . . Many Czechoslovaks, myself included, could have written a better!" Although some...
Fallen Angels. Playwright Noel Coward pours two cocktails into his two leading ladies; pours into them a bottle of champagne; pours into them liqueurs. At the middle of the champagne bottle they are quietly but firmly intoxicated; at the curtain they are swirling drunk. Mr. Coward accomplishes this genteel disintegration with impudent realism. Estelle Winwood encourages his impudence with important blurts and wabbles, including the removal of her shoes. To Fay Bainter, is allotted the task of growing more dignified and lady like with every gulp. All this consumes the second act. A first tells how these impeccable and bosom...