Word: playwrighting
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Dates: during 1920-1929
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...year period, many places. The title role is played by Julius Bledsoe, giant Negro whose remarkably resonant voice won instant recognition in the Stallings-Harling opera Deep River. In diction, technique, the cast is not up to high professional standard, yet the presentation is so sincere, the playwright's revelation of Negro character and tribu- lation so keen, that it merits the interest evinced by packed houses...
...Abraham's Bosom. Eugene O'Neill brought the Greenwich Village Provincetown Theatre to theatrical, artistic prominence. When he went "uptown," the Provincetown came upon evil days. Along comes another Moses to lead them out of debt. He is Paul Green, young North Carolina teacher, author, playwright...
Mozart. Where many another impresario has failed, Producer A. H. Woods has succeeded in luring the famed Guitrys (Sacha Guitry, French actor-playwright, Yvonne Printemps, his actress-wife) to the U. S. They presented M. Guitry's Mozart, the same dresden-china play of virginal genius in which Irene Bordoni appeared earlier this season (TIME, Dec. 6). Though Yvonne Printemps' radiant personality breathes life into the titular role (which was created especially for her), the play still seems fragile to the point of brittleness. The Guitrys were cordially received but the handicap of dialogue in foreign language militates...
...about to punish him, the Cardinal pops out from behind the curtain, announces that the padre has a heart of gold. Leo Carillo does the padre, but the real hero is Poilu, high-spirited dog, who wags his tail at the audience, his natural grace left uncropped by the playwright...
...proud Olivia in love with the shipwrecked maid impersonating her twin brother are too frequently allowed to lag into slow comedy only partially relieved by the Bard's verse. Not so in this case. The cast mercifully interpret light comedy in a gay spirit unoppressed by the playwright's reputation. Sometimes the humor is even flavored with slapstick, as in the case of Egon Brecher's Sir Toby Belch, who does. Yet so airily do the players carry off the Shakespearean fancies that the audience readily forgives trivial irreverence avows Twelfth Night...