Word: playwrighting
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Dates: during 1920-1929
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Loose Ankles. Stale stuff from older plays, peppery wit, audacious hashing-and Playwright Janney concocts a diverting theatrical creature. A last testament commanding marriage stirs Ann Harper to rebellion. She will hire a gigolo* wherewith to shock this tyrannical family of hers. The scheme seems harmless enough. But when a young, amateurish gigolo appears and Ann plays something by Tschaikoysky on the piano, virulent sentimentality sets in, and the condition of the play becomes critical. Numerous first-nighters reached for their hats. In the nick of time, the scene shifts back to the private life of the four gigolos...
...whole dramatic library has flowed from the devious but prodigiously brilliant pen of Professor Luigi Pirandello. His academic intimates know him as an erudite philosopher philologist. But to the world he is the playwright of Six Characters in Search of an Author. Last week he contrived in actuality at his Roman villa a drama as "Pirandellic" as any of his numerous plays-famed for his knack of creating characters (like his Henry IV) who are not what they seem. Early in the week Signor Pirandello had received a visit from two friends with a mutual grievance: Playwright Massimo Bontempelli...
...daughter-in-law and a Jewish son-in-law. "We gotta get outta this neighborhood!" shouts the agitated aristocrat again and again. He thinks that, by moving, the love of democratic young Americans can be thwarted. Mrs. Van Dorn disapproves of her husband's arbitrary ways. Through her, Playwright William Perlman brings out the salient point that Mr. Van Dorn is not justified in assuming Castilian airs, because, even if the Van Dorns did settle in New Amsterdam in 1614, Mr. Van Dorn himself is capable of earning only $3000 a year, whereas the Blumbergs (pants business...
...Ninth Vibration, etc.) and simultaneously as biographer of the Duchess of Fenton (The Chaste Diana), Lady Hamilton (The Divine Lady) and Poet Byron (Glorious Apollo). Her periods billow out like fussy, over-embroidered crinolines when she is in her role of sentimental raconteuse, but the historical reconstructions are superb-Playwright Sheridan scratching his wig for the fourth act of The School for Scandal; George III and Queen Charlotte reading their favorite divines under the lindens at Kew; and Perdita, fluffed in swan's-down, waiting for the flushed royal moron who brought her low; Perdita, at last a wanton...
Eugene Gladstone O'Neill, playwright Litt...