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Word: playwrighting (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Coward hastily donned a dressing-gown and excused himself, and when he returned, it was merely to mention that the king had notified the Herman L. Rogers' at Cannes of Mrs. Simpson's arrival. At that point, the playwright refused to comment further. He was obviously laboring under emotional stress of some kind...

Author: NO WRITER ATTRIBUTED | Title: Noel Coward Made Honorary Member Of Dramatic Club; Won't Talk of King | 12/8/1936 | See Source »

Noel Coward is not so penetrating a comedian or author as Sacha Guitry, but Mr. Coward has the good fortune to write and act in English, the language which pays best. He is not nearly so funny a playwright as George S. Kaufman, but he is more versatile, more productive, does all his own work. He never brought to his upper-class tragicomedies the range or authority or humor of Philip Barry, but he has lasted longer. All these qualities which Noel Coward has and has not have made him the world's most prosperous showman. He has written...

Author: /time Magazine | Title: The Theatre: Three Triples | 12/7/1936 | See Source »

...oldest production arrangements in the modern theatre is the "triple bill." Of the nine plays in his three triples, Playwright Coward is at pains to have it known: "All . . . have been written especially...

Author: /time Magazine | Title: The Theatre: Three Triples | 12/7/1936 | See Source »

There are two ways of attacking Shakespeare: firstly, the intellectual point of view of the student; and secondly, the showman's point of view. The latter looks at the production as simply a play, written by a modern playwright. His object is to bring out the drama, make the audience understand the action, impress them...

Author: NO WRITER ATTRIBUTED | Title: Debut in Shakespeare Makes Walter Huston Feel Enthusiastic About His Productions in the Future | 12/4/1936 | See Source »

...Group's finest and freshest show since Waiting for Lefty can be squarely split four ways: to Actor Collins for his good humor and dignity in a part which might easily have been confusingly eccentric; to Donald Oenslager for a series of arresting and imaginative sets; to Poet-Playwright Green for a profound and witty evangelical address to a world he at one point concedes to be "bass ackwards"; to Composer Weill for the weird, haunting little ballads and Europeanized fox trots which immensely help to articulate the play...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan: Nov. 30, 1936 | 11/30/1936 | See Source »

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