Word: playwrighting
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Dates: during 1940-1949
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Alexander Knox has written a play that lacks only a soaring bat flapping about the stage. Be it understood that there is nothing wrong in that. If a playwright can arrange to have unknown hands reach out from doors, a Big Ben-like clock strike off-stage at tense moments, and blood trickle over door sills,--if he can work all of these (and more, as in this case) into his script without causing his audience to titter at the overlarding, then hooray...
Given half a chance, the pair of them, with their timing, their teamwork, their contrapuntal growls and purrs, can put any scene across. And now & then, amid large blobs of stage custard, Playwright Behrman obliges with a nice witticism about husbands or Boston. But unhappily there are long stretches in I Know, My Love when there is neither any play on the stage nor any Lunts...
...musical, which takes place in "Purple Hills," deals with the difficulties of the struggling thespians. Nicholas Benton '50 will portray a stage-struck widow, and Wayne A. Clark '52 will portray her playwright son who tangles with the stock company. Edward L. Bullard '50 will play the widow's lover...
...Novelist-Playwright Anita Loos was making the most of a good thing. Having cleaned up over $1,500,000 on Gentlemen Prefer Blondes as a magazine sketch (1924), a first novel (1925), a play (1926) and a movie (1928), she had collaborated with Playwright Joseph Fields to turn it into a musicomedy. As rehearsals began in Manhattan, a photographer recorded an unrehearsed resemblance between Author Loos and the 1949 version of her heroine, up & coming Comedienne Carol (Lend an Ear) Channing...
...name of August Strindberg means anything at all to the average theatergoer, it usually means a Swedish playwright who came along after Ibsen and who has since been praised by such dramatists as Shaw, O'Neill, and Thornton Wilder, who regard him as one of their teachers. Indeed, the position of Strindberg seems to have been set at half-way between Ibsen and O'Neill in the field of modern, naturalistic drama; and since the former spells death at the box-office and the latter is a commercial risk, Strindberg, by association, has been deprived of his place...