Word: playwrighting
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Dates: during 1960-1969
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...WHISTLE IN THE DARK. Irish Playwright Thomas Murphy has written a drama full of the raw, roiling energy of life. The story of the Carney clan, moving in on a brother who has tried to flee their world of animal instinct, is full of the rude poetry of the commonplace. The performances are labors of love and skill, and Arvin Brown's direction is flawless...
WHILE Soviet authorities threatened Alexander Solzhenitsyn with exile, Anatoly Kuznetsov, a voluntary defector to Britain, was facing criticism from fellow authors in the West. In the U.S., Playwright Lillian Hellman has accused Kuznetsov of cowardice for waiting until he was abroad before protesting against Soviet censorship. Novelist William Styron has reproached Kuznetsov for not remaining silent after his defection. Kuznetsov's own publisher in Britain observed that "decisions taken in states of emotion are generally the wrong ones." Kuznetsov replied to one of his critics that his old apartment in the city of Tula was now vacant...
Know thyself, said the ancients. Man cannot know himself, say the moderns. He is the enigma of enigmas, a brute wrapped in reason, an innocent ensnared in sensuality, a master builder of societies and civilizations who wrecks them like a frustrated child. This is the underlying theme of British Playwright Edward Bond's Narrow Road to the Deep North, which is having its U.S. premiere run at Boston's Charles Playhouse...
...given his first birth, but an artist has to earn his second one. So arduous is this struggle, so embedded in a writer's marrow, that he almost always devotes one autobiographical work to it. Playwright Oliver Hailey's Who's Happy Now? may not be autobiographical, but it has the indelible sound of private experience. His play belongs among the most perceptive portrayals of the son-father relationship that have been brought to the stage. Its special quality is that it is an Oedipal farce, zany, effervescently comic and full of as many crazy laughs...
That may be partly true, but Raquel is unique among sex queens in another respect. Harlow had her seamy affairs; Hayworth her prince; Monroe her outfielder and her playwright; Taylor her high-rolling entrepreneur, Debbie's crooner and Sybil's Welsh actor. By contrast, Raquel has two children by a former marriage to her high school sweetheart, and is presently wed to an inoffensive uncelebrity named Patrick Curtis. She does not flounce around studio sets in see-through blouses by day or boogaloo at the Factory by night. She does not smoke. She does not drink. She rarely entertains. Says...