Word: playwrighting
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Dates: during 1990-1999
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When we keep this in mind, writer Mark O'Donnell emerges as a true gift. A humorist and playwright, O'Donnell has mastered the art of conveying the bittersweet. In his first novel, Getting Over Homer, O'Donnell wryly traced a twin's failing quest to find a bond similar to the one he shared with his sibling. In his second novel, Let Nothing You Dismay (Knopf; 193 pages; $22), O'Donnell is once again obsessed with a young man's search for wholeness, and here too the author's witticisms flow felicitously...
...When you compress something down to the works of one playwright, you need a much broader chronological context, but in the specific era it is very thematic," says James T.L. Grimmelmann '99, a computer science concentrator who is taking the class as an elective...
DIED. RUMER GODDEN, 90, exquisitely lyrical British novelist, playwright and poet; in Dumfriesshire, Scotland. Godden set much of her work in India, where she grew up. Although she wrote a total of 70 books and collections, she was best known for the 1939 novel Black Narcissus, in which nuns fight to establish a school and hospital on a Himalayan mountain. Of the 1946 film version, the prickly Godden observed, "I hate it...Everything about it was phony...
...already know that Shakespeare virtually invented English. If we are to believe America's critic in chief, the playwright also invented human nature. In this tome the self-styled "Bloom Brontosaurus Bardolater" offers play-by-play essays that are a humane hymn to Shakespeare's continuing relevance as our "mortal god." If he does not quite prove his tremendous thesis, the author of The Western Canon amiably excuses himself on the ground that "explaining Shakespeare is an infinite exercise; you will become exhausted long before the plays are emptied out." Bloom may feel spent after 745 pages, but his essays...
DIED. JAMES GOLDMAN, 71, history-focused playwright and screenwriter best known for his gripping The Lion in Winter; of a heart attack; in New York City. Though his Broadway version quickly folded, his 1968 screen version of the 12th century battle-of-the-sexes succession fight between Henry II (Peter O'Toole) and Eleanor of Aquitaine (Katharine Hepburn) earned him an Oscar. Goldman also wrote the book for the Sondheim musical Follies...