Word: playwrighting
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Dates: during 1990-1999
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...fundraiser is a launch of David Mamet's new children's book Henrietta, about a pig that applies to Harvard Law School. Mamet, a Pulitzer-Prize-winning and Oscar-nominated author and playwright, will read portions of the book...
...foreword to the published script of The Rainmaker, playwright N. Richard Nash advises, "It must never be forgotten that it is a romance, never for an instant by the director, the actors, the scenic designer or the least-sung usher in the Forrest Theatre in Philadelphia." I can't vouch for the ushers at the Brooks Atkinson Theatre in New York City, who are no less surly than usual, but mostly this Broadway revival gets into the right spirit. The set, a swath of brown prairie dominated by an expanse of blue sky, seems ready at any moment to disgorge...
Written by Jacobean playwright Thomas Middleton in the early 17th century, Women Beware Women might seem at risk of being somewhat out-of-date: the tricky iambic pentameter of the dialogue and rather archaic betrothal practices are more reminiscent of Shakespearean times than they are of modern day America. However, the production is at times so wicked, so sensationalist (think lots of incest and death), that the audience can't help but be captivated. Whether it be the orgy at the end of the first act or the well-choreographed (but comedic) swordplay that results in death and still more...
...Lover, the first play of the evening and perhaps the most famous one-act piece by British playwright Harold Pinter, love is little more than an elaborate role-playing game. As a happily average British middle class couple, Barlow Adamson and Marie Larkin move carefully around their disgustingly perfect home (constructed with aggravating blandness--lemon yellow sofa draping and all--by stage designer Jeff Gardiner) pouring drinks for one another and speaking in formal semi-monotones. They love each other, or so they claim, but their marriage is sexless. It is only when they meet in secret during...
Perhaps modesty induced Scottish playwright C. P. Taylor to choose "good" as the title of a play that undoubtedly merits the superlative form of its headlining adjective. Certainly this was the lingering impression after watching the freshman rendition of Good, running from Oct. 22-30th at the Agassiz. Acting, plot, scenery and music all come together in this highly professional production that ultimately makes sense out of a complicated structure and story line...