Search Details

Word: playwrighting (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...especially talented cast is the main attraction of this production. As the hilariously affected Natasha Navratilova, Janine Poreba is a marvelous Russian femme fatale. Her performance is just overdone enough to maintain the farcical edge, never lapsing into cliched corn. Chip Rossetti gives a pat, almost smug performance as playwright Sandor Turai. Turai is almost a straight parody of the Author in Pirandello's Six Characters in Search of the Character and while studied, Rossetti is more than amusing enough to keep us engaged...

Author: By Ann M. Mikkelsen, CONTRIBUTING WRITER | Title: Diamond in the Rough | 1/15/1993 | See Source »

Josephine Hart wrote her best seller in a style that deserves to be called high Harlequin. Irons and Binoche get into this spirit with their scenes of sexual gymnastics, some of which stretch the laws of physics. But playwright David Hare (Plenty) is more interested in the contortions decent people put themselves through to follow their obsessions while maintaining decorum. Irons has wonderful command of that flummoxed look that seizes the spirit of powerful men who can't understand how they lost control of their life. And Binoche has the lure of mystery in her fine features; she is every...

Author: /time Magazine | Title: Stiff Upper Libido | 1/11/1993 | See Source »

Philip Kan Gotanda, a well-known Japanese-American playwright, writes that the prejudice Asian-Americans face is more subtle than that facing Blacks and Latinos. Particularly now, he said in a recent interview in the Los Angeles Times, Asian-Americans are left out of the mainstream culture. They are in a "double bind" where they are cast as "'insidious' at the same time there's this feeling of knowing them. You get the worst of both worlds...

Author: By Beong-soo Kim, | Title: The Myth of (Asian) America | 1/6/1993 | See Source »

These nine plays spanning seven hours -- and two centuries -- aspire to nothing less than a history of America, mythic in scale yet humbly rooted in the evolving fate of the same few hundred acres of Kentucky. Playwright Robert Schenkkan proves a spectacularly vivid revisionist, underscoring the violence, exploitation, multiracial antagonism and unchecked injustice of our past. Produced at Seattle's Intiman Theater and Los Angeles' Mark Taper Forum, this was the first Pulitzer Prize drama not seen in New York City and is thus a triumph for all regional theater...

Author: /time Magazine | Title: The Best of 1992 | 1/4/1993 | See Source »

...Liberals think it's about sexual harassment. Conservatives are sure it's about intellectual terrorism. Even Playbill splits the difference: half the front covers put a bull's-eye on the haughty college professor, the other half on his dim, dogmatic female student. Playwright David Mamet's off-Broadway zinger holds a mirror up to muddled modern life...

Author: /time Magazine | Title: The Best of 1992 | 1/4/1993 | See Source »

Previous | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | Next