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...play, Hello and Goodbye, dramatist Athol Fugard asked friends at a dinner party, "Am I about to become the new South Africa's first literary redundancy?" Although he tells the story with a twinkle, that fear has hovered over him for years. In his mind he is a poetic playwright, but the world has seen him as a political, even polemic one, and his works are valued more as testimony against apartheid than for their subtle interplay of emotion and Beckettian sensitivity to the downtrodden. For many people, Fugard's dramas mattered less than the taboos they broke -- The Blood...

Author: /time Magazine | Title: THEATER: Home Is Where the Art Is | 2/28/1994 | See Source »

...What you found in each case was that he wouldpraise the play and she would write a positivepiece about a playwright," Brustein said. "Orworse, the opposite would happen...

Author: NO WRITER ATTRIBUTED | Title: Brustein Accused | 2/17/1994 | See Source »

...subtlest and most daring, Eric Bogosian, does that and more. A sometime playwright, he creates characters related by theme, in skits that never peter out. At his fiercest, he confronts audiences with the daily ugliness they try to screen out, from deranged bums urinating in the subway to drug freaks convinced that violence is the answer, whatever the question is, to smug suburban successes siring second families who want only to forget their offspring from Wife...

Author: /time Magazine | Title: Solo Savagery | 2/14/1994 | See Source »

...playwright and gay activist Larry Kramer, the answers are No, No and Who Knows? In an article, "Why I Hated Philadelphia," which ran in seven newspapers, Kramer wrote, "It's dishonest, it's often legally, medically and politically inaccurate, and it breaks my heart that I must say it's simply not good enough and I'd rather people...

Author: /time Magazine | Title: The Gay Gauntlet | 2/7/1994 | See Source »

...Pinter's trademark: it is never quite clear what is happening, but whatever it is, it is urgently important. The menacing mysticism reaches a peak in No Man's Land, a series of drawing-room encounters soured by a barroom aura of impending rough-and- tumble. Like most great playwrights, Pinter keeps writing the same work. No Man's Land is The Homecoming with fancier furniture, Old Times with more recherche recollections, The Birthday Party with a gentler goon squad. It is also, from a playwright generous to actors, the showiest acting duel in his repertoire...

Author: /time Magazine | Title: The Salon as Slaughterhouse | 2/7/1994 | See Source »

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