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Despite the skepticism toward monarchy of both playwright and director, George III emerges as a good man though clearly not a great one, of limited intellect but vastly higher moral stature than the assorted connivers exploiting his plight. In contrast to royal marriages of the present generation, the King's bond with Queen Charlotte is presented as intensely companionable, albeit not monogamous. The primary villains are the doctors, one therapeutically obsessed with inspecting bowel movements, another with making the King sweat and vomit, a third with blistering his flesh, a fourth with humiliating him into submission. None does the least...

Author: /time Magazine | Title: By George, the King Is Mad | 9/13/1993 | See Source »

DURING THE DECADE IN WHICH HE taught himself to be a playwright, actor Robert Schenkkan, 40, went long stretches without work, uprooted himself from New York to California, grew politically inflamed and endured the deaths of his mother and, especially agonizing, his stillborn first child. "We lost a lot of friends because of their inability to deal with our grief," he recalls. "They seemed to think we should be quiet and move on. But I look at the whole world through that lens now, and it gave me the theme of denial, of misguided forgetting, that runs through my work...

Author: /time Magazine | Title: Bluegrass Saga | 9/6/1993 | See Source »

...haven's Shaw Festival, one of North America's bigger and better theaters and the world's most faithful keeper of the flame for the white-bearded windbag of Fabian socialism, is sponsoring a debate premised on the heretical idea that its patron dramatist should be outranked as a playwright by his colleague Harley Granville Barker. Although recalled chiefly as producer (The Doctor's Dilemma), director (Major Barbara) or actor (Man and Superman) of many Shavian debuts, Granville Barker is being ballyhooed by Shaw Festival artistic director Christopher Newton as "maybe the last undiscovered great playwright...

Author: /time Magazine | Title: By George, a Worthy Rival | 8/30/1993 | See Source »

...Boston-born author of this quirky, observant chronicle spent her 17th summer on Martha's Vineyard, working as a domestic for Lillian Hellman. The playwright, who by many accounts was a world-class harridan, once told a friend in her employee's hearing, "Well, I see the little Irish girl has set out the wrong dinner plates again." Mahoney's reaction was classic. "The remark -- which amounted to an epithet -- conjured images of a feckless, carrot-topped rustic with a camel's long lashes and a blush that traveled from throat to freckled hairline, awash in a sea of plates...

Author: /time Magazine | Title: Dirt From The Old Sod | 8/30/1993 | See Source »

...Virginia Woolf on him. In 1965, two years after the couple had broken up, McNally saw his own first full-length play, And Things That Go Bump in the Night, go kerflop on Broadway. He still smarts from the experience. On opening night, just before curtain time, he spotted playwright Jean Kerr and her critic husband Walter. "She said, 'Well, let's go see what his boyfriend has written.' The critics weren't reviewing a play by a new American playwright; they were seeing what Albee's boyfriend had written. That was pretty devastating to me, frankly." He got some...

Author: /time Magazine | Title: Success Is His Best Revenge | 8/23/1993 | See Source »

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