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...producers would consider an auspicious beginning. But it turned out to be just that in the case of Legends, starring Mary Martin and Carol Channing as a pair of feuding veteran stage actresses. Without benefit of critical acclaim or a stint on the Great White Way, the comedy by Playwright James Kirkwood (A Chorus Line) has grossed nearly $10 million since starting its 23-city run last January. This January the stars will end their touring in Palm Beach. "I was 73 the other day," says Martin. "My body doesn't have the resilience. People think it does because that...

Author: /time Magazine | Title: People: Dec. 22, 1986 | 12/22/1986 | See Source »

...century style set-design and costumes, careful musical synchronization, and nearly 30 scene changes--there is also a film version fresh in everyone's minds; unfair comparisons would be very easy to make. But director Nicholas Weir silences the doubters with a powerful show, one that highlights all of playwright Shaffer's wickedly good language...

Author: By Abigail M. Mcganney, | Title: Rock Me, Amadeus | 12/12/1986 | See Source »

That a half-century of American literary studies could be recalled for a defective platitude is a contingency that would appeal to Playwright Eugene Ionesco. A major contributor to the theater of the absurd (he prefers the term "theater of derision"), Ionesco reviews the influence of surrealists and dadaists without missing the historical joke: "They all wanted to destroy culture . . . and now they're part of our heritage." Arthur Koestler, a leading intellectual and novelist of the '30s and '40s, sounds weary and detached. "I'm vice president of the Voluntary Euthanasia Society," says the author of Darkness at Noon...

Author: /time Magazine | Title: Books: Good Talk Writers At Work | 12/8/1986 | See Source »

...PLAYWRIGHT Athol Fugard is a master of exploring the dark side of South Africa, the degrading effects of apartheid on his fellow South Africans, white and black. Without a trace of didacticism, he creates rich, full characters struggling to find respect and happiness in the midst of injustice...

Author: By Abigail M. Mcganney, | Title: A Tribute to Fugard | 11/21/1986 | See Source »

Director/producers Marci Bobis and Fouad Onbargi deserve the Existentialists Award for Excellence; we must thank them for taking this heavy-handed horror story of Sartre's and making it surprisingly palatable. Embellishing the playwright's original script, Bobis and Onbargi have experimented with a mime troupe of five who periodically act out the memories of the three main characters in stylized slow motion. It's kitschy, but it works. The set, also designed by Onbargi, creates a properly sadistic and spartan backdrop. Hell's flames simply cannot compare to the three tacky couches to which the characters are relegated...

Author: By Deborah E. Copaken, | Title: Professional Existentialism | 11/21/1986 | See Source »

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