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Even before they went out to dinner, it was fairly obvious to first-afternooners that Playwright O'Neill has moved Greece to New England. Those who knew their Euripides were quick to detect a parallel between Mourning Becomes Electra and the classic tragedy, recalled how Agamemnon, returning from the Trojan War, was killed by his wife (Clytemnestra), how the long-lost son Orestes finally killed his mother's lover and his mother at the instigation of Elektra...

Author: /time Magazine | Title: THE THEATER 1931: MOURING BECOMES ELECTRA by Eugene O'Neill | 10/5/1983 | See Source »

...Rand doing her fan dance, and Yeager's last, gallant, failed effort to set an altitude record alone in the sky over his desert. In fact, the two events took place 17 months apart, and this is one of the more dubious symbolic linkages. But Sam Shepard, the playwright and occasional movie actor, has a wonderful, hypnotic stillness as Yeager. He is a solid rock on which to build a film and most pleasing to the old pilot, who worked on the film as bit player, stunt flyer and technical adviser. "He's not an exhibitionist...

Author: /time Magazine | Title: Cinema: Saga of a Magnificent Seven | 10/3/1983 | See Source »

Perhaps the most popular Office of the Art's project is the Learning from Performers program. During the past few years, the Office has brought such artists as Robert Redford, Pulitzer-prize winning playwright. Marsha Norman and Norman Lear to Harvard. Attracting artists is haphazard--depending on "who happens to know who," according to Mayman...

Author: By Rebecca J. Joseph, | Title: Putting Down Roots | 9/23/1983 | See Source »

SEEKING DIVORCE. Neil Simon, 55, playwright and screenwriter; and Marsha Mason, 41, actress for whom he wrote lead parts in the movies Max Dugan Returns, Only When I Laugh, The Goodbye Girl and Chapter Two, the last a lightly disguised comic portrait of their courtship and marriage; after ten years of marriage; no children; in Los Angeles...

Author: /time Magazine | Title: Milestones: Jul. 4, 1983 | 7/4/1983 | See Source »

Imagine that, buried in a forgotten carrel at the back of the British Museum, a hitherto unknown comedy by the 17th century playwright William Congreve had been discovered. Fancy further that his comedy was put not on the stage but on film, with every world-weary epigram and convoluted conceit intact. Such a notion must have occurred to the English experimental film maker Peter Greenaway. With The Draughtsman's Contract, which he wrote and directed two years ago, he has restored the Restoration sensibility. Here is a comedy-mystery laced with Triple Sec humor and stately, raunchy characters...

Author: /time Magazine | Title: Cinema: Restoration | 7/4/1983 | See Source »

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