Search Details

Word: playwrights (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...warily eyeing him on his Connecticut spread and sententiously proclaims, "We are all connected, watching one another. Even the trees." Still, if Miller the autobiographer refuses to offer shapely stories and easy pleasures, but instead insists on the uncomfortable, the unsettling and the contentious, that is what Miller the playwright has done for more than four decades. American literature -- and life -- has been vastly the richer...

Author: /time Magazine | Title: Books: A Life of Fade-Outs and Fade-Ins TIMEBENDS | 11/23/1987 | See Source »

Written by modernist playwright Bertolt Brecht and an allegory for the rise of Nazism in Weimar Germany, this work marks not only the resistible rise of Arturo Ui but also the rise of a direction/production trio. The three have done several other productions together in the past, including last year's hit The 5th of July, are good friends and they even live in the same entry way of Leverett House. But all agree that the sheer logistics of a mainstage production require a different approach...

Author: By Ross G. Forman, | Title: The Rise and Shine Of a Mainstage Play | 11/13/1987 | See Source »

...faculty committee in dramatic arts, which must approve the HRDC's choices for the mainstage, agreed. Says noted playwright and committee member Professor William Alfred, "They told me why they thought the play would be the most viable in terms of not only the quality of the director and script but also how it fit in with other things on the program...

Author: By Ross G. Forman, | Title: The Rise and Shine Of a Mainstage Play | 11/13/1987 | See Source »

Nolte, on the other hand, is perfectly suited to his role. As in Down and Out in Beverly Hills and 48 Hours, he brings a tongue-in-cheek toughness to his part. This role, with its curious contradictions--armed robber, loyal buddy, plagiarizer, and playwright--is well-suited to Nolte's self-irony...

Author: By Aline Brosh, | Title: Stars and Bars | 10/30/1987 | See Source »

...staged by Marshall W. Mason and a splendid young cast, it wins laughter in even its unnerving moments. If the narrative is indebted to the mainstream past, the tone has a more avant-garde echo of Sam Shepard -- a border skirmish between knockabout farce and knockdown violence. Yet Playwright Lanford Wilson manages to integrate well-crafted gags, mostly for the surviving gay roommate (Lou Liberatore). He describes his friend's gaudy casket as looking "like a giant Spode soup tureen." He says to the choreographer (Joan Allen) about her boyfriend (Jonathan Hogan), "I don't know...

Author: /time Magazine | Title: Theater: Skirmishing Along the Borders BURN THIS | 10/26/1987 | See Source »

Previous | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | Next