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Word: playwrights (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...sometimes surreal, Wilson’s selections feature Lynes’ trademark dark foregrounds with subjects lit from just behind the head. In one classic image, dancer Martha Graham stands with her arms placed above her head in an angst-ridden pose. Another, of Tennessee Williams, shows the playwright gazing off to the right in a black sweater with torn sleeves...

Author: By Julia E. Twarog, CONTRIBUTING WRITER | Title: Pusey Displays Long-Lost Celebrity Photographs | 1/10/2003 | See Source »

...could be a Romanov in the Russian Revolution, a Vietnamese child during the war, a woman in today’s Afghanistan. But though this is a tale of modern-day international politics, her dialogue was crafted millennia ago by the ancient Greek playwright Euripides...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: Taking Refuge | 1/10/2003 | See Source »

DIED. FREDERICK KNOTT, 86, angst-ridden playwright of Dial M for Murder who wrote for money but hated the craft; in New York City. Dial M, a clever, tense mystery that focused on law enforcement's attempts to break down the alibi of a man who has killed his wife, started as a TV special and later became a successful play and a 1954 Alfred Hitchcock film...

Author: /time Magazine | Title: Milestones Dec. 30, 2002 | 12/30/2002 | See Source »

...laments Lillian Hellman in Imaginary Friends, Nora Ephron's new play about the literary feud between Hellman and Mary McCarthy. To be sure, these two writers are remembered at least as much for their spoken words as for the ones they put on paper. Hellman, the playwright and longtime leftist, made a famous show of defiance before the House Un-American Activities Committee: "I cannot and will not cut my conscience to fit this year's fashions." McCarthy, an essayist and novelist who couldn't abide Hellman's politics or penchant for mixing fact and fiction, offered a put-down...

Author: /time Magazine | Title: Catfight! | 12/23/2002 | See Source »

Slouching behind his desk, director, playwright and Nobel laureate Gao Xingjian watches the rehearsal in dismay. The actors are tentative and uncertain, as if they don't quite know where they are going. The problem, in Gao's mind, is that they are complicating what should be simple. "Speak as you speak, listen as you listen," he orders. "Give me your true voice...

Author: /time Magazine | Title: Not Resting on His Laureate | 12/15/2002 | See Source »

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