Word: plazas
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Dates: during 1930-1939
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Last week Marion Perloff fell/jumped out of a window in the office of Girl Scouts, Inc., on the eleventh floor of the TIME & LIFE Building, Manhattan. And television cut another notch in its growing list of achievements. Conducting outdoor television tests in Rockefeller Center's Plaza, NBC's Iconoscope Cameraman Ross Plaisted was shifting his camera's focus when he caught the girl's falling body at the sixth floor, followed it to the ground. The telecast was not on the air but NBC engineers were watching the cabled tests in an RCA Building control room...
...week, the Federal Bureau of Investigation, finding that the vandals had shuttled between Kansas City, Mo., and Kansas City, Kans., issued a warrant for Mahan on the basis of a Federal statute against interstate felonies. A few hours later, a taxi drew up at a street intersection in the Plaza district of Kansas City, Mahan stepped out and gave himself up to waiting police. At week's end, former Labor Leader Mahan was arraigned on ten charges, held in $8,500 bail. The Journal-Post, satisfied that window-smashing was over, prepared to expose other rackets. One thing...
...front of the Union Station in St. Louis, U.S.A., is a large and undistinguished plaza cleared in 1931 and named after the late Alderman Louis P. Aloe. To St. Louis swelterers for seven summers Aloe Plaza has offered no refreshment beyond the discouraged tentage of a few trees...
...Carl Emil Andersson Milles, Sweden's greatest living sculptor. In 1931, in his third year as resident sculptor at Detroit's suburban Cranbrook Academy, Sculptor Milles met Alderman Aloe's widow in St. Louis and learned her desire for a group of fountains in Aloe Plaza. In 1936 Mrs. Aloe put up $12,500, the city of St. Louis put up $47,500, and Sculptor Milles was commissioned to do for St. Louis what he had done for Stockholm...
...invigorating fancy now at work in sculpture but an unsurpassed gift for making a powerful, rhythmic composition of many sculptured figures. In his Wedding the strong male figure of the Mississippi and the aloof female Missouri, mounted on swooping fishes, will approach each other in the centre of Aloe Plaza. Behind each lollops a flowing train of antic naiads and tough river gods. To Detroit last week to see the final, full-size models of these Rivers, journeyed St. Louis' seven-man Art Commission...