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...think one of the previous sets of Dins contacted the QE II a while ago, and we had kind of forgotten about it, so it was a pleasant surprise [to be contacted]," said Tour Manager Oliver C. Haugen...

Author: By Kelly M. Yamanouchi, | Title: Dins Will Sing for Passage on QE II | 4/23/1997 | See Source »

Freedman said he has heard mixed reactions about the QE II, but is hoping for a pleasant voyage...

Author: By Kelly M. Yamanouchi, | Title: Dins Will Sing for Passage on QE II | 4/23/1997 | See Source »

...against Jews as recreation for troops. Figes tells the story well, in a very long volume that never becomes unwieldy. He lets Lenin's friend and tolerated critic, the poet Maxim Gorky, make the most telling observation, in a 1919 letter to his wife: "Only the Commissars live a pleasant life these days. They steal as much as they can from the ordinary people in order to pay for their courtesans and their unsocialist luxuries...

Author: /time Magazine | Title: BOOKS: THE TYRANNY OF STUPIDITY | 4/21/1997 | See Source »

Unlike last year's production, which was largely a send-off of Harvard freshman life, replete with exclusively Harvard jokes, No Bull took on the form of a surprisingly conventional musical comedy of mistaken identity: pleasant if not particularly memorable music, a cheerfully tongue-in-cheek plot and caricatures obviously intended to be as farcical as possible. Set in the fictitious Pueblo Cito, a "backward little town" on the coast of Spain, the story revolves around three principal characters: El Bean (Tim Arnold '00), a famous matador; Hector (Elie Mystal '00), a sleazy politician; and Ana Sanchez (Tonia d'Amelio...

Author: By Lynn Y. Lee, | Title: Out of the Mouths of Babes, Braggarts and Bullfighters | 4/17/1997 | See Source »

Though the supertitles were easy to follow, sometimes the translations were weak. "Oh what a pleasant warmth runs through me," the English ran for one of Nemorino's declamations. "Perhaps she feels the same flame." Likewise, to translate two ultra-colorful words, "buffone" and "ragazzo," both as "fool," seemed unimaginative. It was more rewarding to listen to the mellifluous Italian than to fix one's eyes on the words above the stage...

Author: By Matthew A. Carter, | Title: BLO's 'Elisir d'Amore' a Sure-Fire Cure for the Opera Blues | 4/10/1997 | See Source »

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