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Without the enticing presence of Malle's understated heresy, Murmur could easily be relegated to the ranks of the pleasant comedies the French have such a reputation for. As it is, (let's be frank) Malle succeeds better with his Gallic charm (Excellent!) than with his tour-deadolescent-psychology. These strange bedfellows make an engaging couple only as far as they can be reconciled into a single film...

Author: By Bill Beckett, | Title: The Murmur of the Heart | 11/10/1971 | See Source »

...widely thought to be defunct. Suddenly he is among us again, the schoolmaster's tone unmistakable, the detachable collar and know-all smile the same he wore when he disappeared several decades ago. How pleasant to become reacquainted with the Omniscient Novelist! He raps for attention and takes command, knowing that his characters cannot be trusted to display their twitches properly without his professional help and that readers need firm and expert guidance to follow what is going...

Author: /time Magazine | Title: Books: Spoiled Princess | 11/8/1971 | See Source »

...little that it could not have accomplished without war and merely through diplomatic and economic pressure." Ulam writes. "But one cannot regret that the American people were not possessed by the passion to rule the world, for certainly such a passion is incompatible with democratic institutions and with that pleasant life which the American people have enjoyed...

Author: By Arthur H. Lubow, | Title: The Rivals: America and Russia Since World War II | 11/8/1971 | See Source »

...masses of people are running this country. He dismisses the possibility of Americans being "aggressively nationalistic," leaving one to wonder about prowar rallies and dead gooks. And most important, he fails to see the distinction between the ability to rule the world American-style--through corporate domination--and the "pleasant life" which most Americans are able to lead...

Author: By Arthur H. Lubow, | Title: The Rivals: America and Russia Since World War II | 11/8/1971 | See Source »

...performance is very pleasant. (As I'm a sucker for spirituals, even for fake-cheery ones. I found the Negro's (Leonard Easter's) "Feelin'Good" more than pleasant.) All the parts are essentially ham turns, and they're played until every last ounce of fat is caught. The choreography is, appropriately, elbow-swinging and gymnastic (except for a nice, modest ballet by Debbie Coleman). The new Leverett House Old Library Theater, with its small scale and wood panelling, is quite cozy--one enters through the stage, which is attractively cluttered with Jack Hanick's set: bright, upended trapezoid canvases...

Author: By Michael Sragow, | Title: The Roar of the Greasepaint | 10/28/1971 | See Source »

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