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Word: pleyel (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Last week, while Jazz Hot was doing its best to unfuddle bop, curious and carefully shellacked socialites, fringe-faced Left-Bank intellectuals, and, of course, les zazous éternels (hepcats) were packing Paris' big, modern Salle Pleyel to dig the "true groove" for themselves...

Author: /time Magazine | Title: Music: Do You Get It? | 5/23/1949 | See Source »

...huge, high-ceilinged Salle Pleyel, Paris' Cartiegie Hall, the thin, chirping syllables swooped and soared from the public-address system like some kind of static. Finally, the record scratched to an end. Some 2,000 delegates to the World Congress of the Partisans of Peace, realizing that the speech was over, applauded madly...

Author: /time Magazine | Title: COMMUNISTS | 5/2/1949 | See Source »

Transformation. By last week the Davis movement was receiving letters at the rate of 400 a day. From Savoy, in the southeast, a hysterical woman wrote: "I think you must be Christ returned." A Courbevoie worker wrote: "This is our last hope." Recently Garry Davis filled the Salle Pleyel and the Velodrome d'Hiver, two big auditoriums in Paris, with cheering thousands-crowds such as only Charles de Gaulle, and possibly Communist Boss Maurice Thorez, could attract. His committee of support includes Albert Einstein, who cabled that "only the unbendable will of the people can free the forces which...

Author: /time Magazine | Title: IDEOLOGIES: The Little Man | 1/10/1949 | See Source »

With the help of three-inch elevated shoes, Tito Schipa looked all of five-feet-five last week at Paris' Salle Pleyel. When he sang L'Elisir d'Amore and Don Giovanni he brought the house down. He gave so many encores that for a while it seemed that only firehoses could send the cheering mobs home...

Author: /time Magazine | Title: Music: Schipa's Return | 7/1/1946 | See Source »

...pardessus de viole (high-pitched, five-stringed viol), a viole de gambe (six-stringed forerunner of the cello), a viole d'amour (whose seven steel strings vibrate in "sympathy" as the seven gut strings are played), a basse de viole (big forerunner of the stringed bass). He commissioned Pleyel of Paris to make a two-manual, six-pedal harpsichord...

Author: /time Magazine | Title: Music: Ancient Instruments | 2/19/1945 | See Source »

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