Word: plisetskaya
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Dates: during 1950-1959
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Ulanova does not have the biggest mass following in Russia: younger fans prefer 32-year-old Maya Plisetskaya (TIME, May 4). But Ulanova is the most revered Russian dancer (perhaps the most revered Russian artist in any field), and was even before she moved to the Bolshoi Company in 1944. Born in St. Petersburg in 1910, she was introduced to the dance early: her father, Sergei Ulanov, was a member of the corps at the famed Mariinsky (now Kirov) Theater, and her mother, Maria Romanova, a Mariinsky soloist and teacher at the St. Petersburg Ballet School. At first Galina...
Lyricism over Steel. Two successive performances of Swan Lake introduced Ballerinas Maya Plisetskaya and Nina Timofeyeva, two of the Bolshoi's first-line quartet of female dancers (of the first week's stars, Galina Ulanova no longer dances Swan Lake, and Raissa Struchkova is not doing so at the Met). Both ballerinas were superb in the double role of Odette-Odile-the Swan Princess and her evil counterpart. Plisetskaya danced her roles with a more contained fire, whipped her sprung-steel body through scissored leaps and glittering turns, gave the role of Odile a brittle profile that suggested...
Timofeyeva relied on a broader, more flowing style, achieved some of her most moving effects in the series of soaring Act II lifts and in the last-act duet in which she hovered back to consciousness on feet as tremulous as a butterfly's wing. And where Plisetskaya had omitted the famous 32 fouettés (snapped turns) in the "Black Swan Pas de Deux," Timofeyeva whipped them off with a bravura that brought the house alive with a roar...
...Bolshoi's managers spared no pains for their first U.S. tour. They selected the top 110 dancers from a total company of 250, including Ulanova's chief rival, Ballerina Maya Plisetskaya, who for rumored political reasons had not appeared in the West before. With them came 40 tons of scenery, scaled down to fit the Met stage (a third smaller than the Bolshoi's home stage), and a generous ham-perful of the meat-and-potatoes favorites with which the company regularly sells out its home season. Because of the difficulty of shifting the Bolshoi...
Heading the list is the legendary Galina Ulanova, who at 47 has slowed down to an average of three ballets a month, but whose free-flowing line and effortless technique are still unmatched by any other dancer in the company. Ready to replace her are Maya Plisetskaya, 31, with her forceful, passionate style and broad, floating leaps; Raissa Struchkova, also 31, whose style in such a work as The Fountain of Bakhchisarai is warmly brilliant rather than deeply emotional; Marina Kondratieva, a rising star at 23, whose lightness and lyrical qualities make her a notable Cinderella...