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Word: plot (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...cast and the Rodgers and Hammerstein score overcome the frequently distracting photography, the travelogue scenery, and some distractingly phony sets, to carry the plot forward. The photography can be helpful in the large scenes like the clambake or in the choreography numbers. But when MacRae sings the Soliloquy he is lost, if not drowned, in the midst of miles of surf, sand, and rock formations...

Author: By Robert H. Sand, | Title: Carousel | 2/29/1956 | See Source »

...that papa's revenge plot isn't clever; it's that Playwright Williams is so much cleverer throwing monkey wrenches into it. What with the wrong person turning up at the right moment, or the right person at the wrong one, or somebody showing funk or something important disappearing, there is endless gang-aft-agleying, and Someone Waiting seems more an obstacle race than a thrill er. Never believable, in time it becomes something of a bore, and though Leo G. Carroll plays the father with his usual deftness, it is on the audience that he really...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 27, 1956 | 2/27/1956 | See Source »

...Scott (255 pp.; Dutton; $3.50), is a seaworthy adventure novel with probably the most ingeniously constructed plot in the whole castaways-on-a-raft class. The story starts with a series of cryptic messages in the agony column of a London newspaper. The key message: "Sea-Wyf: Intend to find you by publishing story of 14 weeks and Number Four. Biscuit...

Author: /time Magazine | Title: Books: Mixed Fiction, Feb. 27, 1956 | 2/27/1956 | See Source »

...know is that his wife is quivering at her roots, too-over Aldo, a part-time actor, gigolo, spiv and, of course, a "god." Jane writes letters to Aldo in which she calls him "lord and master of my life." The attempt to recover these letters forms a plot as schematic as a shooting script...

Author: /time Magazine | Title: Books: Mixed Fiction, Feb. 27, 1956 | 2/27/1956 | See Source »

...plot is a set-up for Fernandel's dolorous humor and his sad, shrewd, ludicrous countenance. Unfortunately, however, director Claude Autant-Lara has given the film a sombre tone which is not congenial to Fernandel's own whimsical, low-pressure style. Autant-Lara sets the mood with a choking death on a dark night (using typically French nonlighting) and the mournful intoning of a balladeer. The horror of death, however, does not stifle Fernandel's humor so much as the flat creatures at the inn. The French comedian seems ill at ease in these dark yet hysterical surroundings...

Author: By Frank R. Safford, | Title: The Red Inn | 2/23/1956 | See Source »

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