Word: plot
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Dates: during 1950-1959
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Shake Hands with the Devil (Pennebaker; United Artists) turns a heap of expensive ingredients-James Cagney, Don Murray, Michael Redgrave, Dame Sybil Thorndike, Dana Wynter, Glynis Johns-into an everyday Irish stew. Taken from a 1934 novel by Rearden Conner, the plot concerns a young American (Murray), a medical student in Dublin just after World War I, who finds himself innocently involved in "The Trouble." Pursued by the Black and Tans, he is spirited away by one of his professors (Cagney), who turns out to be a high officer in the Irish Republican Army. Grateful and idealistic, he joins...
When Kozlov was asked to comment on anti-Semitism in the U.S.S.R., Menshikov again could only smile weakly. Kozlov, who gained a reputation as an anti-Semite during the "doctors' plot," seemed offended. "I have many friends of Jewish nationality," said he. Among them: a Leningrad rabbi, various Soviet officials, the wife of "President Voroshilov who unfortunately died recently. God give it that the Jews should live such a life in any other country as in the Soviet Union. They live better in the Soviet Union than in Israel." Just then the pilot sent back word that too many...
EXECUTIVES OF EAGLE BRANDED AS LEADERS OF ABORTIVE POLITICAL PLOT. Last week the Beacon ran more than 16 columns on the court decision against the Eagle-and with the Eagle sure to find some way of retaliating, Wichita will just have to go on enduring its two papers that are, quite literally, the spoils...
...plot: a bartender is murdered by an Army lieutenant (Ben Gazzara), who tells the police he committed the crime because the bartender had beaten and raped his wife (Lee Remick). The wife supports the lieutenant's story, and a lie-detector test, though not admissible in evidence, supports her account of the rape. But the medical examiner finds no physical evidence that the woman was violated. What's more, the lieutenant's wife is a well-known tramp about camp. Obviously, the prosecution reasons, she had been a willing partner in whatever happened with the bartender...
...choice of this play marked an act of courage. Few people are familiar with it. Those with any knowledge of the plot have usually acquired it through one of the dozen or so operatic versions, chiefly Nicolai's Merry Wives of Windsor, Verdi's Falstaff, or Vaughan Williams' Sir John in Love. But the directors were willing to gamble (or gambol); and their slot (or slut) machine has come up with three cherries--a winning combination that ought to keep the box office coffers filled and the audience coughers silent...