Word: plot
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Dates: during 1990-1999
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...That was just the plot line...
This is funny enough but gets tired easily. Celebrity by itself teeters so often into self-parody that it seems too easy to bash it. Fortunately, Ellis does more than that, injecting Glamorama with a sharper plot than those of earlier novels, a plot which kicks in about a quarter of the way into the novel. Victor, for a $300,000 fee, is sent by the mysterious F. Fred Palakon (whose name echoes G. Gordon Liddy's neatly enough to hint at the web of deceit to follow) to London to look for a former Camden College friend, Jamie Fields...
...three Next Generation movies so far, Star Trek: Insurrection stays closest to the spirit of the television program, incorporating themes and plot devices common throughout the Star Trek series. It relies on a storyline with a strong moral dimension--the quality which truly sets Star Trek apart from most other science fiction TV programs and movies. Like the TV series, this movie is also full of nineteenth and twentieth century references: when Data malfunctions, Captain Picard calls him back to reality by singing Gilbert and Sullivan. In the twenty-fourth century universe of Star Trek, such references might seem anachronistic...
...from the false is unmistakable. The world of celebrity in Glamorama really is inescapable, not just because Victor is too shallow to comprehend anything beyond it, but because everything--from the public spheres of politics and religion to the private sphere of sex--is part of this world. The plot twists more often than Chubby Checker on speed. Reality alternates with the constructed so often that the constructed becomes real: "everything is altered... everyone will believe this". Even the novel itself borrows Jay McInerney's Alison Poole character (from McInerney's Story of My Life...
Blake Edwards' plot is standard gender bender fare: Victoria Grant, an Alabama soprano penniless in 1930s Paris, is persuaded by the gay Toddy (Jamie Ross) to pretend that she is really a man playing a woman. Who better, after all, to play a woman than a real woman? Victoria thus becomes 'Count Victor Grazinsky, Europe's greatest female impersonator and soon finds herself the reception of much acclaim. However, as she achieves success, she finds herself falling for King Marchan (Dennis Cole), a Chicago businessman/gangster, who in turn is anguished by his attraction to this 'man.' In this happy world...