Word: plot
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Dates: during 2000-2009
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...thinking about myths,” explains Broadwater. “This is a Greek play, so I tried to wrap my head around what American myths are. The story basically has the plot of a western and a samurai movie, and I decided to go with the western.” This decision involved numerous changes to the original script, including a complete overhaul of the setting. The throne room of the original becomes a tycoon’s office; the temple of Apollo becomes a hacienda-style church; and the cave of the spirits becomes an old mine...
...Golden Calf” alternates points of view among a wide array of people—artists, office clerks, riddlers, poets, madmen, accountants, Catholic priests, authors and photographers—while concentrating its plot on the work of a band of thieves. The story focuses on four of these thieves; they are conspiring to rob and bring to ruin their associate, the malevolent Korieko, who, it just so happens, is a secret millionaire—an “underground Rockefeller...
With so little written material from which to create a feature-length film, Jonze and Eggers’ plot understandably lacks direction at times. In one bizarre subplot, KW takes Max on a short journey to meet two of her friends. These turn out to be a pair of rowdy owls whose screeching cannot be understood by Max or the monsters. Scenes with these two characters seem largely out of place and even confusing when considering the larger narrative...
There are a few overlong scenes of island chaos, which don’t advance the plot, but these only add to the sense of harmless anarchy that Sendak evokes, and thus remain true to the book. These more trivial scenes are ultimately eclipsed by exceptionally poignant exchanges, in particular Max’s one-on-one conversations with Carol and KW. The audience realizes through these more personal scenes that very little separates these giant monsters from their young ruler...
...brilliant and unbalanced mathematician, Robert. Upon Robert’s death, Hal, one of his graduate students, discovers a groundbreaking proof on his desk, which Catherine claims she wrote. The question of the proof’s authorship and Catherine’s burgeoning relationship with Hal dominate the plot of the play, amongst Catherine’s struggles over her father’s recent death and her fears about inheriting his insanity. The title thus takes on additional meaning. “The idea of the proof is her [Catherine] very much trying to prove, to herself more...